(Guitar Chord Songbook). 80 rock 'n' roll classics in one convenient collection with guitar chords and lyrics for each. Includes: All Shook Up * At the Hop * Barbara Ann * Blue Suede Shoes * Chantilly Lace * Crying * Duke of Earl * Great Balls of Fire * Heartbreak Hotel * I Get Around * In My Room * It's My Party * Kansas City * La Bamba * The Loco-Motion * Lonely Street * My Boyfriend's Back * Peggy Sue * Return to Sender * Rock Around the Clock * Runaway * Sea of Love * Sincerely * Stand by Me * Surfin' U.S.A. * Teen Angel * Willie and the Hand Jive * and more.

Since its release in 1971, Don McLean's song "American Pie" has become an indelible part of U.S. culture. It has sparked countless debates about the references within the lyrics; been celebrated as a chronicle of American life from the late 1950s through the early 1970s; and has become iconic itself as it has been remade, parodied, and referenced within numerous texts and forums. This volume offers a set of new essays that focus on the cultural and historical significance of the song. Representing a variety of perspectives and fields of study, the essays address such topics as historical and literary interpretations of the song's lyrics, its musical qualities, the commentary the song offers on rock and roll history, the continuing significance of the song, and the ways in which the song has been used by various writers and artists. Instructors considering this book for use in a course may request an examination copy here.

(Fake Book). This second edition features a top-of-the-charts collection of over 350 early rock classics, including: All Alone Am I * Alley-oop * Alone at Last * Baby, It's You * Barbara Ann * Be-Bop-A-Lula * Big All Alone Am I * All Shook Up * Alley-oop * Baby I Need Your Lovin' * Barbara Ann * Big Girls Don't Cry * Blue Velvet * Calendar Girl * Chains of Love * Crying * Daydream Believer * Diana * Fever * Fun, Fun, Fun * Green Onions * Heartaches by the Number * Hey, Good Lookin' * In My Room * I Fall to Pieces * I Walk the Line * It's Now or Never * It's My Party * Leader of the Pack * Louie, Louie * (You've Got) the Magic Touch * My Prayer * Peggy Sue * (You've Got) Personality * Puppy Love * Put Your Head on My Shoulder * Rebel 'Rouser * Rock Around the Clock * Rockin' Robin * Sixteen Candles * Sixteen Tons * Stand by Me * Surfin' U.S.A. * A Teenager in Love * Tequila * Twist and Shout * Wake up Little Susie * Girls Don't Cry * Blue Velvet * Blueberry Hill * Can't Help Falling in Love * Chains of Love * Chantilly Lace * Crying * Dancing in the Street * Diana * Don't Be Cruel (To a Heart That's True) * Fever * Fun, Fun, Fun * Green Onions * Hard Headed Woman * I Walk the Line * It's My Party * and more.

Chronicles the history of blues music from its emergence in the early 1900s through the twentieth century, and describes the musical accomplishments of Leadbelly, Bessie Smith, Howlin' Wolf, Robert Johnson, Muddy Waters, Jimmy Reed, B.B. King, and others. Includes an audio CD.

Rock and roll's death has been forecast nearly since its birth; the country song "The Death of Rock and Roll" appeared in September 1956, showing that the music had already outraged a more conservative listening audience. Is Rock Dead? sets out to explore the varied and sometimes conflicting ways in which the death of rock has been discussed both within the discourse of popular music and American culture. If rock is dead, when did it die? Who killed it? Why do rock journalists lament its passing? Has its academic acceptance stabbed it in the back or resuscitated an otherwise lifeless corpse? Why is rock music the music that conservatives love to hate? On the other side of the coin, how have rock's biggest fans helped nail shut the coffin? Does rock feed on its own death-and-rebirth? Finally, what signs of life are there showing that rock, in fact, is surviving? Is Rock Dead? will appeal to all those who take seriously the notion that rock is a serious musical form. It will appeal to students of popular music and culture, and all those who have ever spun a 45, cranked up the radio, or strummed an air guitar.

Long neglected in the annals of American music, the Nutmeg State's influence on the history of rock'n'roll deserves recognition. Connecticut's musical highlights include the beautiful harmonies of New Haven's Five Satins, Gene Pitney's rise to fame, Stamford's the Fifth Estate and notable rockers such as Thurston Moore of Sonic Youth, Rivers Cuomo of Weezer and Saturday Night Live Band's Christine Ohlman. Rock Hall of Famers include Tina Weymouth and Chris Frantz of the Talking Heads and Dennis Dunaway of the Alice Cooper Band. Some events became legend, like Jimi Hendrix's spellbinding performance at Yale's Woolsey Hall, Jim Morrison's onstage arrest at the New Haven Arena and teenage Bob Dylan's appearance at Branford's Indian Neck Folk Festival. With in-depth interviews as well as rare, never-before-seen photos, author Tony Renzoni leads a sonic trip that captures the spirit and zenith of the local scene.

Rock ‘n’ Roll Movies presents an eclectic look at the many manifestations of rock in motion pictures, from teen-oriented B-movies to Hollywood blockbusters to avant-garde meditations to reverent biopics to animated shorts to performance documentaries. Acclaimed film critic David Sterritt considers the diverse ways that filmmakers have regarded rock ‘n’ roll, some cynically cashing in on its popularity and others responding to the music as sincere fans, some depicting rock as harmless fun and others representing it as an open challenge to mainstream norms.