Following World War II, many American cities underwent a large-scale modernization to keep up with the changing times in business technology and architecture. With help from federal funding and planning, expansive and low-density modern projects replaced the crowded blocks of century-old buildings. State-of-the-art facilities featured large, open plazas that were the scenes of social and cultural events, attracting private developers to the citys core. Due to its participation in new policies of planning and the efforts of its strong preservation community, Rochester is today an interesting and sometimes perplexing mixture of densely packed, ornamental-19th-century buildings and monumentally scaled and architecturally stark projects of the modern era. Rochesters Downtown Architecture: 19501975 tells the story of the peak years of change to the built environment of Rochesters downtown.

Downtown Rochester is defined by Main Street, State Street, and the major crossroads of those streets. It is the core of one of New York State's most important cities. Rochester's Downtown recaptures the golden era when downtown bloomed as a mecca for daytime workers and shoppers and for an evening's entertainment at vibrant social centers. Rochester's Downtown celebrates the people of this great city as they progress from their early beginnings to create a dynamic business center. This excellent collection of images regenerates the excitement of riding the trolley, of watching a movie at the Palace or the Capitol, of window-shopping at the Duffy-Powers Store, and of tasting frosted malteds at Sibley's or warm doughnuts from the Mayflower Donut Shop or spoonfuls of roasted peanuts from Mr. Peanut Man. The narrative recalls Scrantom's as the place to buy books, Neisner's having the latest 78-rpm records, McCurdy's and Edward's with their special holiday displays, Eddie's Chop House for memorable dinners, and the Century Sweet Shop for after-theater sundaes.

Rochester may be better known for its rolling hills and lilac fields than for its architecture, but look closely and the city's hidden gems reveal themselves. In this survey of Rochester's historic architectural elements and styles, city planner Michael Behrendt encourages you to "slow down, look round--check out the fancy cornices on North Main Street and admire the brickwork on the few remaining mill structures." Impress your neighbors by pointing out the Italianate, Queen Anne, Georgian or Federal styles of their houses and identifying the mansard roofs, oriel windows and porticos around town. Drawing from his series of articles written for the Rochester Times, Behrendt examines everything from barns, churches and schoolhouses to the prominent Rochester Opera House. Discover Rochester's history as written in brick and stone, marble and mortar.

Traces Minnesota's architectural development in eight regions of the state from territorial days to the present and outlines tours of the state's landmarks. A perfect companion for sight-seeing trips.

This historic resource survey documents the career and buildings of Rochester, New York's most innovative mid-twentieth century architect, James H. Johnson (1932-2016). In a career spanning nearly 60 years, Johnson designed hundreds of buildings in the greater Rochester area. He is known locally as the designer of the Antell-Whitman House (better known as the "Mushroom House"), Liberty Pole, and Temple Sinai, but his other works are not generally well known, nor is the sheer number of buildings he designed appreciated either by the general public or the architectural community.Johnson's lengthy and prolific career has left the Rochester region with a tremendous legacy of innovative, unusual buildings. Having developed an early fascination with construction, Johnson always retained his interest in participating in the fabrication of his buildings, and was often found on building sites, particularly when he supervised and took a hands-on role in the construction of his series of earth-formed buildings in the late 1960s. Inspired by nature, geometry, history, and certain architectural predecessors, notably Bruce Goff, Johnson quietly demonstrated his determination to pursue novel approaches to design and construction in both highly visible public projects and in private, personal projects for clients who wanted a house intimately tied to nature, often away from public view. From his earliest projects to some of his last, he thought expansively about integrating architecture with other art forms, and regularly collaborated with artists working in other fields, incorporating their artistic visions into his own. While his expertise with large-scale construction brought him around the world on a few occasions, he spent almost all of his long career working in the Rochester area, where his daring, expressive designs remain some of the boldest and most creative contributions to the region's architectural heritage.