Look for Robyn's new book, The Best of Us, a story about family, second chances and choosing to live your best life--order your copy today Join Robyn Carr, #1 New York Times bestselling author of the Virgin River and Thunder Point series, as she explores the healing powers of rural Colorado in a brand-new story of fresh starts, budding relationships and one woman's journey to finding the happiness she's long been missing Between the urban bustle of Denver and the high-stress environment of a career in neurosurgery, Maggie Sullivan has hit a wall. When an emergency high-risk procedure results in the death of a teenager, Maggie finds herself in the middle of a lawsuit--and experiencing levels of anxiety she's never faced before. She knows she needs to slow down before she burns out completely, and the best place she can think to do that is Sullivan's Crossing. Named for Maggie's great-grandfather, the land and charming general store at the crossroads of the Colorado and the Continental Divide Trails have been passed down through the generations and now belong to Maggie's eccentric father, Sully. When she shows up unannounced, he welcomes her with open arms, and she relishes the opportunity to indulge in his simple way of life. But shortly after arriving, Maggie's world is rocked once again and she must take on more responsibility than she'd planned. Though she's relieved a quiet and serious-looking hiker, Cal Jones, is willing to lend a hand, Maggie is suspicious of this mysterious man's eagerness to help--until she finds out the true reason for his deliberate isolation. Though Cal and Maggie each struggle with loss and loneliness, the time they spend together gives Maggie hope for something brighter just on the horizon...if only they can learn to find peace and healing--and perhaps love--with each other.

Robyn O'Neil: 20 Years of Drawings, is the first major monograph published of the artist's work and offers a brilliantly detailed look at the foundation laid by her earliest drawings, the evolution of her hand and the epic works that have defined her career. This collection of over 100 images is accompanied with an essay by curator Alison de Lima Greene who offers extraordinary insight into both the artist's life and work. "O'Neil enlarges both the physical scale of her work, and the internal dynamics of her drawing by pitting her increasingly small figures against a vast panorama. At the same time, she plays with Western perspectival conventions, using empty expanses of paper to stack space in the manner of Chinese scroll paintings. Each area of the landscape is punctuated by vignettes, ranging from two figures standing before a dead deer to vast assemblies. That this is ultimately a battle of man against man, rather than man against nature, is hinted at by the squadron of World War II bomber planes that sweep down from the central mountain gap."

“There are more than 50 creative prompts for the artist (or artist at heart) to explore. Take the title of this book as affirmation, and get started.” —Fast Company More than 50 assignments, ideas, and prompts to expand your world and help you make outstanding new things to put into it Curator Sarah Urist Green left her office in the basement of an art museum to travel and visit a diverse range of artists, asking them to share prompts that relate to their own ways of working. The result is You Are an Artist, a journey of creation through which you'll invent imaginary friends, sort books, declare a cause, construct a landscape, find your band, and become someone else (or at least try). Your challenge is to filter these assignments through the lens of your own experience and make art that reflects the world as you see it. You don't have to know how to draw well, stretch a canvas, or mix a paint color that perfectly matches that of a mountain stream. This book is for anyone who wants to make art, regardless of experience level. The only materials you'll need are what you already have on hand or can source for free. Full of insights, techniques, and inspiration from art history, this book opens up the processes and practices of artists and proves that you, too, have what it takes to call yourself one. You Are an Artist brings together more than 50 assignments gathered from some of the most innovative creators working today, including Sonya Clark, Michelle Grabner, The Guerrilla Girls, Fritz Haeg, Pablo Helguera, Nina Katchadourian, Toyin Ojih Odutola, J. Morgan Puett, Dread Scott, Alec Soth, Gillian Wearing, and many others.

A critically important series in the oeuvre of American painter, sculptor, and printmaker Donald Sultan, The Disaster Paintings were created between 1984 and 1990. These works feature imposing, man-made structures, whose industrial qualities are reinforced by Sultan's preferred media, Masonite tiles and tar. The paintings' resulting sense of robust permanence is offset by the catastrophes Sultan includes therein, which provoke a jarring sense of fragility, impermanence, and transience. Such unexpected juxtapositions are privileged by the artist's process itself, which merges the industrial materials of Minimalism with representational painting, stylistically combining figuration and abstraction and making simultaneous reference to high and low culture. Painted on a large scale (the majority of the works in this series measure 8' x 8'), The Disaster Paintings embody great physicality in their process, subject matter, and finished form. They also reify the modern experience of industrialized societies with images of fire, accidents, and industrial mishaps, daring us to forget that calamities and adversity are woven into the very fabric of our existence. It is a timely moment in history to reconsider and reassess The Disaster Paintings. - Published to accompany the exhibition of the same name held at Lowe Art Museum, Coral Gables, Florida, 29th September-23rd December 2016; Modern Art Museum of Fort Worth, Texas, February-April 2017; and the Smithsonian American Art Museum, Washington, DC, May 26-September 4, 2017.

No woman will have Ben without a proper bachelor's suit . . . and the tailor refuses to make him one. Back from war with a nameless enemy, Ben finds that his mother is dead and his family home has been reassigned by the state. As if that isn't enough, he must now find a wife, or he'll be made a civil servant and given a permanent spot in one of the city's oppressive factories. Meanwhile, Meeks, a foreigner who lives in the park and imagines he's a member of the police, is hunted by the overzealous Brothers of Mercy. Meeks' survival depends on his peculiar friendship with a police captain--but will that be enough to prevent his execution at the annual Independence Day celebration? A dark satire rendered with the slapstick humor of a Buster Keaton film, Julia Holmes' debut marries the existentialism of Fyodor Dostoevsky's """"Notes from Underground"""" to the strange charm of a Haruki Murakami novel. """"Meeks"""" portrays a world at once hilarious and disquieting, in which frustrated revolutionaries and hopeful youths suffer alongside the lost and the condemned, just for a chance at the permanent bliss of marriage and a slice of sugar-frosted Independence Day cake. Julia Holmes was born in Dhahran, Saudi Arabia, and grew up in the Middle East, Texas, and New York, where she is currently an assistant editor at """"Rolling Stone."""" She is a graduate of Columbia University's MFA program in fiction.

Modern art can be confusing and intimidating--even ugly and blasphemous. And yet curator and art critic Daniel A. Siedell finds something else, something much deeper that resonates with the human experience. With over thirty essays on such diverse artists as Andy Warhol, Thomas Kinkade, Diego Velazquez, Robyn O'Neil, Claudia Alvarez, and Andrei Rublev, Siedell offers a highly personal approach to modern art that is informed by nearly twenty years of experience as a museum curator, art historian, and educator. Siedell combines his experience in the contemporary art world with a theological perspective that serves to deepen the experience of art, allowing the work of art to work as art and not covert philosophy or theology, or visual illustrations of ideas, meanings, and worldviews. Who's Afraid of Modern Art? celebrates the surprising beauty of art that emerges from and embraces pain and suffering, if only we take the time to listen. Indeed, as Siedell reveals, a painting is much more than meets the eye. So, who's afraid of modern art? Siedell's answer might surprise you.

A final battle looms as Karai decrees a ''Gauntlet'' battle between ancient foes Splinter and Shredderbut first the Turtles must defeat the Foot mutants-- Koya, Bludgeon, Bebop & Rocksteady! With Leo making an unimaginable battle gamble, a second Turtle's life may be on the line!