These are dark days for England. The Hood is dead. The Sheriff has summoned an ally—one who leads an army sufficient to enter Sherwood and crush the resistance. Then comes news that King Richard is the prisoner of a pagan ruler. What began as a rebellion has become a war for the throne. With hordes of demons and men at his disposal, the Sheriff is poised to seize power. A desperate mission is mounted to rescue Richard, while those who remain behind must hold off the enemy. Yet even if the true king returns, an epic battle will erupt, and the outcome cannot be foretold.

Evil is everywhere. Through terror and dark sorcery, Prince John wields the power of the throne. Lord and peasant alike meet violent ends as the Sheriff’s arcane beasts spread fear and death. A small group of rebels oppose John, striking from Sherwood Forest...the one place his creatures cannot pursue them. Though their numbers grow, so do the forces of darkness. Unless Robin and Marian fulfill the ancient prophecy of the Two Torcs, the forest will be overrun, and England will fall.

Robin Hood is a national English icon. He is portrayed as a noble robber, who, along with his band of merry men, is said to have stolen from the rich and given to the poor. His story has been reimagined many times throughout the centuries. Readers will be introduced to some of the candidates who are thought to have been the real Robin Hood, before journeying into the fifteenth century and learning about the various ‘rymes of Robyn Hode’ that were in existence. This book then shows how Robin Hood was first cast as an earl in the sixteenth century, before discussing his portrayals as a brutish criminal in the eighteenth century. Then learn how Robin Hood became the epitome of an English gentleman in the Victorian era, before examining how he became an Americanized, populist hero fit for the silver screen during the twentieth century. Thus, this book will take readers on a journey through 800 years of English cultural and literary history by examining how the legend of Robin Hood has developed over time

In The Sovereign Trickster Vicente L. Rafael offers a prismatic view of the age of Rodrigo Duterte in the contemporary Philippines. Framing Duterte as a trickster figure who boasts, jokes, terrorizes, plays the victim, and instills terror, Rafael weaves together topics ranging from the drug war, policing, and extrajudicial killings to neoliberal citizenship, intimacy, and photojournalism. He is less concerned with defining Duterte as a fascist, populist, warlord, and traditional politician than he is with examining what Duterte does: how he rules, the rhetoric of his humor, his use of obscenity to stoke fear, and his projection of masculinity and misogyny. Locating Duterte's rise within the context of counterinsurgency, neoliberalism, and the history of electoral violence, while drawing on Foucault’s biopower and Mbembe’s necropolitics, Rafael outlines how Duterte weaponizes death to control life. By diagnosing the symptoms of the authoritarian imaginary as it circulates in the Philippines, Rafael provides a complex account of Duterte’s regime and the social conditions that allow him to enjoy continued support.

A vast darkness is spreading. If left unchecked, it will engulf the world, and so Richard the Lionheart must depart England on a holy mission. In his absence, the safety of the realm is entrusted to his brother, Prince John. When the king departs, black sorcery begins to grip the land, threatening noble and peasant alike. Horrific creatures stalk the forests, yet the violence they commit pales when compared to the atrocities of men. A handful of rebels fight back, but are doomed to fail unless they can find a hero to lead them.