The third book in Robertson Davies's acclaimed The Deptford Trilogy, with a new foreword by Kelly Link Hailed by the Washington Post Book World as "a modern classic," Robertson Davies’s acclaimed Deptford Trilogy is a glittering, fantastical, cunningly contrived series of novels, around which a mysterious death is woven. World of Wonders—the third book in the series after The Manticore—follows the story of Magnus Eisengrim—the most illustrious magician of his age—who is spirited away from his home by a member of a traveling sideshow, the Wanless World of Wonders. After honing his skills and becoming better known, Magnus unfurls his life’s courageous and adventurous tale in this third and final volume of a spectacular, soaring work. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

The second book in Robertson Davies's acclaimed The Deptford Trilogy, with a new foreword by Kelly Link Hailed by the Washington Post Book World as "a modern classic," Robertson Davies’s acclaimed Deptford Trilogy is a glittering, fantastical, cunningly contrived series of novels, around which a mysterious death is woven. The Manticore—the second book in the series after Fifth Business—follows David Staunton, a man pleased with his success but haunted by his relationship with his larger-than-life father. As he seeks help through therapy, he encounters a wonderful cast of characters who help connect him to his past and the death of his father. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Conversations with Robertson Davies is a long overdue anthology of interviews with Canada's most respected literary figure. Journalist, essayist, reviewer, playwright, and novelist, Robertson Davies has not only been a leading figure in Canadian literature since World War II, but, since the publication of Fifth Business in 1970, he has become known throughout the world. Conversations with Robertson Davies will be of interest both to the student of Canadian literature and culture and to the scholar examining Davies's plays and novels as well as to the general reader who would like to know more about the awesome man behind the Salterton and Deptford trilogies, What's Bred in the Bone, and The Lyre of Orpheus. A majority of this anthology of twenty-eight interviews has never before appeared in print. Along with these previously unpublished interviews, the reader finds a selection of the best print interviews: Tom Harpur of the Toronto Star proves Davies's spiritual beliefs, Ann Saddlemyer looks into his dreams, and author Terence M. Green questions Davies on the supernatural.

The first book in Robertson Davies's acclaimed The Deptford Trilogy, with a new foreword by Kelly Link Ramsay is a man twice born, a man who has returned from the hell of the battle-grave at Passchendaele in World War I decorated with the Victoria Cross and destined to be caught in a no man's land where memory, history, and myth collide. As Ramsay tells his story, it begins to seem that from boyhood, he has exerted a perhaps mystical, perhaps pernicious, influence on those around him. His apparently innocent involvement in such innocuous events as the throwing of a snowball or the teaching of card tricks to a small boy in the end prove neither innocent nor innocuous. Fifth Business stands alone as a remarkable story told by a rational man who discovers that the marvelous is only another aspect of the real. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

First published in the U.S. last year, this updated collection contains the best of Robertson Davies' newspaper and magazine articles written over the past 50 years. "Each piece is entertaining and enlightening. . . ".--Publishers Weekly.

Murther & Walking Spirits is available as an eBook for the first time. “I was never so amazed in my life as when the Sniffer drew his concealed weapon from its case and struck me to the ground, stone dead.” So begins the unusual story of Connor “Gil” Gilmartin when he catches his wife in flagrante with the Sniffer, his former colleague and now his murderer. Though he is struck dead in the very first line of this novel, death is only the first indignity Gil is about to suffer. For he lingers on as a ghost, and from this bleak vantage–made even less endurable by the fact that he must spend the afterlife sitting beside his killer at a film festival–he is forced to view the exploits and failures of his ancestors, from the forerunners who sailed up the Hudson to Canada during the American Revolution right up to his university-professor parents.

The fruits of an eighteen-year tradition of Massey College’s annual Gaudy Nights, Robertson Davies’ High Spirits still delights and amuses to this day. Published as an eBook for the first time. In the Introduction to this collection of charming stories, Robertson Davies notes we all need “ghosts as a dietary supplement . . . to stave off that most dreadful of modern ailments, the Rational Rickets.” In one tale, Mr. Davies introduces the ghost of Henrik Ibsen; in another, he brings us face to face with a bust of Charles Dickens, whose “scarlet lips . . . parted in a terrible smile” and whose “beard stirred in a hiccup of repletion.” Sixteen other apparitions manifest themselves, each rendered with Robertson Davies’ special touch–a bit of parody, a touch of true scariness–and all emanating from high spirits.