A classic, enchanting document of Scottish folklore about fairies, elves, and other supernatural creatures. Late in the seventeenth century, Robert Kirk, an Episcopalian minister in the Scottish Highlands, set out to collect his parishioners’ many striking stories about elves, fairies, fauns, doppelgängers, wraiths, and other beings of, in Kirk’s words, “a middle nature betwixt man and angel.” For Kirk these stories constituted strong evidence for the reality of a supernatural world, existing parallel to ours, which, he passionately believed, demanded exploration as much as the New World across the seas. Kirk defended these views in The Secret Commonwealth, an essay that was left in manuscript when he died in 1692. It is a rare and fascinating work, an extraordinary amalgam of science, religion, and folklore, suffused with the spirit of active curiosity and bemused wonder that fills Robert Burton’s Anatomy of Melancholy and the works of Sir Thomas Browne. The Secret Commonwealth is not only a remarkable document in the history of ideas but a study of enchantment that enchants in its own right. First published in 1815 by Sir Walter Scott, then reedited in 1893 by Andrew Lang, with a dedication to Robert Louis Stevenson, The Secret Commonwealth has long been difficult to obtain—available, if at all, only in scholarly editions. This new edition modernizes the spelling and punctuation of Kirk’s little book and features a wide-ranging and illuminating introduction by the critic and historian Marina Warner, who brings out the originality of Kirk’s contribution and reflects on the ongoing life of fairies in the modern mind.

ROBERT KIRK (KIRKWOOD), an enlisted man, served with the 42nd and 77th Highland Regiments in North America. He covered 5000 miles by foot, canoe, whaleboat, and transport ship. He was wounded, captured by Shawnees, and nearly scalped, but he lived to write his memoirs, which are published here for the first time since 1775. This book constitutes a superb team effort with paintings by renowned artist, Robert Griffing; an excellent and insightful introduction by best-selling British historian, Stephen Brumwell; and annotations, biographical notes, and essays by historians, Lt. Col. Ian McCulloch and Timothy Todish.

Robert Kirk attempts to answer the problem of consciousness that derives from the notorious gap between our knowledge of ourselves as matter and our subjective knowledge of what we experience.

This new edition in modern English includes a detailed commentary. Comparisons are made between the ancient rites and powers of fairy tradition and second sight, and those of shamanism, Native American tradition, Celtic myth and legend, and perennial magical arts.

Zombies would be physically and behaviorally just like us, but not conscious--a strange idea which is currently highly influential in the philosophy of mind. In this clear, readable, and entertaining book Robert Kirk argues that the zombie idea reflects a fundamentally mistaken way of thinking about consciousness. He sets out both to show why there couldn't be zombies, and to present a strikingly original new argument about the true nature of conscious experience.

Our thoughts about the world are clearly influenced by such things as point of view, temperament, past experience and culture. However, some thinkers go much further and argue that everything that exists depends on us, arguing that 'even reality is relative'. Can we accept such a claim in the face of events such as floods and other natural disasters or events seemingly beyond our control? 'Realists' argue that reality is independent of out thinking. 'Relativists' disagree, arguing that what there is depends on our point of view. Which is right? Robert Kirk provides a crystal clear account of this debate from the Greek philosophers to Wittgenstein and Rorty. Along the way, he unpacks some of the more complicated issues surrounding ideas of objectivity, subjectivity, pragmatism and realism essential for those beginning any study of philosphy.

Armed with razor-sharp teeth and capable of drinking many times its volume of blood, the leech is an unlikely cure for ill health. Yet that is exactly the role this worm-like parasite has played in both Western and Eastern medicine throughout history. In this book, Robert G. W. Kirk and Neil Pemberton explore how the leech surfaces in radically different spheres. The ancients used them in humeral medicine to bring the four humors of the body—blood, phlegm, and black and yellow bile—back into balance. Today, leeches are used in plastic and reconstructive surgery to help reattach severed limbs and remove pools of blood before it kills tissue. Leeches have also been used in a nineteenth-century meteorological barometer and a twentieth-century biomedical tool that helped win a Nobel Prize. Kirk and Pemberton also reveal the dark side of leeches as they are portrayed in fiction, film, and popular culture. From Bram Stoker’s Dracula to a video game player’s nemesis, the leech is used to represent the fears of science run amok. Leech shines new light on one of humanity’s most enduring and unlikely companions.