Somehow the Devil Got Me! The filthiest fruit of Robert Crumb's fertile imagination From the very beginning, even before the sexual revolution made Robert Crumb the world's most celebrated underground cartoonist, he felt compelled to commit his sexual fantasies to paper. Once upon a time, he'd destroy them, fearful of others discovering his quirky tastes. Then he found that baring his soul provided a sort of therapy, and he has memorialized his every desire since. Crumb's personal selection of these works first appeared in 2007 in a gorgeous, but pricey, TASCHEN Collector's Edition, complete with slipcase, lithographic print, and many strips hand-colored by Crumb himself. Now, this compact edition is offering the same high-quality obsession at a bargain price! This compendium includes the strips My Troubles With Women, If I Were a King, A Bitchin' Bod, and How To Have Fun With a Strong Girl, as well as 60 single page drawings. Recurring motifs include big strong girls, artistic wimps triumphantly subduing said girls, cavewomen, Yetis, vulture demonesses, bitter little guys, and did we mention big strong girls?

R. Crumb’s obsessions—from sex to the Bible, music, politics, and the vicissitudes and obscenities of daily life—are chronicled in this comprehensive book of work by the illustrious American comic artist. Instrumental in the formation of the underground comics scene in San Francisco during the 1960s and 1970s, Crumb has ruptured and expanded the boundaries of the graphic arts, redefining comics and cartoons as countercultural art forms. Presenting a slice of Crumb’s unique universe, this book features a wide array of printed matter culled from the artist’s five-decade career—tear sheets of drawings and comics taken directly from the publications where the works first appeared, comic book covers, broadsides from the 1960s and 1970s, and tabloids from Haight-Ashbury, Oakland, the Lower East Side, and other counterculture enclaves, as well as exhibition ephemera. Complementing this volume are historical works from the eighteenth and nineteenth centuries that have inspired Crumb and pages from his rarely seen sketchbooks from the 1970s and 1980s that reveal his exemplary skill as a draftsman. Documenting the critically acclaimed exhibition Drawing for Print: Mind Fucks, Kultur Klashes, Pulp Fiction & Pulp Fact by the Illustrious R. Crumb at David Zwirner, New York, in 2019, curated by Robert Storr, this publication offers an opportunity to immerse oneself in Crumb’s singular mind. In the accompanying text, Storr explores the challenging nature of some of Crumb’s work and the importance of artists who take on the status quo.

Collection of cartoons, caricatures and some comic strips by R. Crumb.

A collection of comics by R. Crumb in which he focuses on his fascination and obsession with sex. Contains adult content. Contains adult content.

A collection of comic strips by Robert Crumb that were inspired by his love of blues music. 'Contains adult content.

Call Out: Words of wisdom from R. Crumb hisself ("sic"): All my life I've loved women and hated 'em at the same time, often at the exact same moment! ~I realized I was a geek and I wasn't going to make it with the girls. I felt so painfully isolated that I vowed I would get revenge on the world by becoming a famous cartoonist. ~The only burning passion I'm sure I have, is the passion for sex. ~My personal obsession for big women interferes with some people's enjoyment of my work. I knew it was weird and disturbing and even offensive to a lot of people, particularly women. But I couldn't keep it out of the comics. I would always try to give it some sort of metaphorical sense because I derived such masturbatory pleasure out of drawing these women in bizarre situations with these little guys doing stuff to them.

When he wakes up naked by the side of the highway in the middle of the desert, twenty-two-year-old Bailey Quinn is only sure of a few things: He’s in a world of testicle pain. He’s tripping out of his head on peyote. And someone seems to have made a half-assed attempt at slashing his throat. As Bailey hits the road to track down his “friends” in Matthew Carnahan’s short novel, a black-edged, hilarious caper unfolds.