Nobel laureate Roald Hoffmann's contributions to chemistry are well known. Less well known, however, is that over a career that spans nearly fifty years, Hoffmann has thought and written extensively about a wide variety of other topics, such as chemistry's relationship to philosophy, literature, and the arts, including the nature of chemical reasoning, the role of symbolism and writing in science, and the relationship between art and craft and science. In Roald Hoffmann on the Philosophy, Art, and Science of Chemistry, Jeffrey Kovac and Michael Weisberg bring together twenty-eight of Hoffmann's most important essays. Gathered here are Hoffmann's most philosophically significant and interesting essays and lectures, many of which are not widely accessible. In essays such as "Why Buy That Theory," "Nearly Circular Reasoning," "How Should Chemists Think," "The Metaphor, Unchained," "Art in Science," and "Molecular Beauty," we find the mature reflections of one of America's leading scientists. Organized under the general headings of Chemical Reasoning and Explanation, Writing and Communicating, Art and Science, Education, and Ethics, these stimulating essays provide invaluable insight into the teaching and practice of science.

Beautifully produced. Intended for non-scientists. The focus in this melding of science and art is on the social, cultural, literary, and psychological context of chemistry. Hoffman (Nobel Prize in Chemistry, 1981) provides essays, personal commentary, and poems; artist Torrence has prepared intriguing collages to accompany the text. Alas, no index. Annotation copyright by Book News, Inc., Portland, OR

This study confronts some of the major ethical controversies in chemistry today, taking on such touchy subjects as the use of thalidomide, a tranquillizer once given to pregnant women and later found to cause serious birth defects

Nobel laureate Roald Hoffman confronts some of the major ethical controversies in chemistry today. Expertly weaving together examples from the worlds of art, literature, and philosophy, Hoffmann illustrates his uniquely accessible dialectic about the creative activity of chemists.

This volume connects chemistry and philosophy in order to face questions raised by chemistry in our present world. The idea is first to develop a kind of philosophy of chemistry which is deeply rooted in the exploration of chemical activities. We thus work in close contact with chemists (technicians, engineers, researchers, and teachers). Following this line of reasoning, the first part of the book encourages current chemists to describe their workaday practices while insisting on the importance of attending to methodological, metrological, philosophical, and epistemological questions related to their activities. It deals with sustainable chemistry, chemical metrology, nanochemistry, and biochemistry, among other crucial topics. In doing so, those chemists invite historians and philosophers to provide ideas for future developments. In a nutshell, this part is a call for forthcoming collaborations focused on instruments and methods, that is on ways of doing chemistry. The second part of the book illustrates the multifarious ways to study chemistry and even proposes new approaches to doing so. Each approach is interesting and incomplete but the emergent whole is richer than any of its components. Analytical work needs socio-historical expertise as well as many other approaches in order to keep on investigating chemistry to greater and greater depth. This heterogeneity provides a wide set of methodological perspectives not only about current chemical practices but also about the ways to explore them philosophically. Each approach is a resource to study chemistry and to reflect upon what doing philosophy of science can mean. In the last part of the volume, philosophers and chemists propose new concepts or reshape older ones in order to think about chemistry. The act of conceptualization itself is queried as well as the relationships between concepts and chemical activities. Prefaced by Nobel Laureate in Chemistry, Roald Hoffmann, and by the President of the International Society for the Philosophy of Chemistry, Rom Harré, this volume is a plea for the emergence of a collective cleverness and aims to foster inventiveness.

Throughout its long history, and not just as the key aesthetic category for the Romantic Movement, the sublime has created the necessary link between aesthetic and moral judgment, offering the prospect of transcending the limits of measurement, even imagination. The best of science makes genuine claims to the sublime. For in science, as in art, every day brings the entirely new, the extreme, and the unrepresentable. How does one depict negative mass, for example, or the folding of a protein that is contagious? Can one capture emergent phenomena as they emerge? Science is continually faced with describing that which is beyond. This book, through contributions from nine prominent scholars, tackles that challenge. The explorations within Beyond the Finite range from the images taken by the Hubble Telescope to David Bohm's quantum romanticism, from Kant and Burke to a "downward spiraling infinity" of the 21st century sublime, all lucid yet transcendent. Squarely positioned at the interface between science and art, this volume's chapters capture a remarkable variety of perspectives, with neuroscience, chemistry, astronomy, physics, film, painting and music discussed in relation to the sublime experience, topics surely to peak the interest of academics and students studying the sublime in various disciplines.

Old Wine, New Flasks is a unique and provocative look at how science and religion - too often considered at odds with one another - are actually parallel ways of trying to make sense of the same material world, each a voice intertwining with the other to help shape true human understanding. With great humor and wit, the authors - one a Nobel laureate and the other an Israeli-American writer and student of religion - show how daily experience and seemingly innocuous questions such as "What is this mixture?" "How do I tell right from left?" and "How can one make the bitter sweet?" can lead to deeper philosophical issues concerning religion, art, and science. Old Wine, New Flasks discusses how authority is conferred and contested, what it means to be impure, whether humans have a right to dominate the environment, and the difference between the natural and the unnatural. Exploring these and other topics, the authors reveal how science and Jewish religious tradition, although different in many ways, nevertheless share the conviction that the world is a very real place, that the actions of beings matter, and that there is an underlying order to the universe.