From the author of "A Century of Pop" comes an in-depth look at Stevie Ray Vaughn and his roots in the vibrant Texas music scene. Photos.

“Enjoyable entertainment . . . a mystery/suspense novel with links to classic rock history and mythology” featuring recovering detective Mike Travis (Foreword). After twenty years at the LAPD Homicide Bureau, Mike Travis is finally retiring and starting over on Santa Catalina Island. In the small town of Avalon, he lives and works on his yacht, sailing and chartering scuba diving trips. There, among tourists and quirky locals, he tries to banish the residual darkness from his mind. It’s not that easy, especially when the one case he never solved comes back to haunt him . . . A murdered woman on Venice Beach bears all the signs of the serial killer Travis had been tracking before he retired: a single stab wound to the heart, a series of deep cuts on the left hand, and a cryptic message—this time, a grisly computer-generated image of a lizard. To finally finish what the killer has started, all Travis must do is get as far into the madman’s head as he can before the next victim is targeted—and then hope he can crawl back out again . . . “Well crafted and entirely satisfying, a complete success. Another Mike Travis mystery would be most welcome.” —Booklist “Birtcher deserves praise and accolades for what he’s produced here. If you love a good mystery, this is it.” —Today’s Librarian

A comprehensive dictionary of blues lyrics invites listeners to interpret what they hear in blues songs and blues culture, including excerpts from original interviews with Dr. John, Bonnie Raitt, Hubert Sumlin, Buddy Guy, and many others.

Take an up-close and behind the scenes look at the Doors.

The Blues Encyclopedia is the first full-length authoritative Encyclopedia on the Blues as a musical form. While other books have collected biographies of blues performers, none have taken a scholarly approach. A to Z in format, this Encyclopedia covers not only the performers, but also musical styles, regions, record labels and cultural aspects of the blues, including race and gender issues. Special attention is paid to discographies and bibliographies.

Tomorrow Never Knows takes us back to the primal scene of the 1960s and asks: what happened when young people got high and listened to rock as if it really mattered—as if it offered meaning and sustenance, not just escape and entertainment? What did young people hear in the music of Dylan, Hendrix, or the Beatles? Bromell's pursuit of these questions radically revises our understanding of rock, psychedelics, and their relation to the politics of the 60s, exploring the period's controversial legacy, and the reasons why being "experienced" has been an essential part of American youth culture to the present day.