Starting with Road to Singapore in 1940, Paramount teamed Bing Crosby, Bob Hope and Dorothy Lamour in one of the most successful series of movies ever. All the road films followed the same basic format: adventurers Hope and Crosby would be caught in a seemingly impossible situation, then they would defeat the bad guys and vie with each other for the attention of Lamour. With a few musical numbers and some comedy routines thrown in for flavor, the movies seemed to work perfectly. A history of each of the seven films is presented here, along with a comprehensive filmography.

This is the HARDBACK version. Starting with Road to Singapore in 1940, Paramount Pictures teamed Bing Crosby, Bob Hope, and Dorothy Lamour to star in one of the most successful series of movies ever made. All seven "road" films followed the same basic format: adventurers Hope and Crosby would be caught in a seemingly impossible situation, they would defeat the bad guys, and then vie with one another for Lamour's attention. A few ballads, duets, and comedy numbers were added for musical flavor and it all worked to perfection. This book is a fond look back on three screen stars, all with successful careers of their own, who traveled seven "roads" together and left audiences with miles of movie memories.

Bing Crosby, Frank Sinatra, Tony Bennett, and Rudy Vallee—these cultural icons whose fame spanned all the important mass media, also played a vital role in the origin and development of the crooning tradition. Crooning represented one of the most important musical styles of the twentieth century, intermingling with jazz and fronting the big band craze of the thirties and forties. Crooners spurred the rise of radio as home staple and the Golden Age of film musicals. When commercial television became a viable commodity, crooners anchored perhaps the first TV programming innovation, the variety show. It took the cataclysmic aesthetic and cultural changes ushered in by rock 'n' roll in the 1950s to finally bring crooners down from their pedestal. The Rise of the Crooners examines the historical trends and events that led to the emergence of the crooning style. Ian Whitcomb, a successful popular music vocalist himself for almost 40 years, provides a personal perspective on this phenomenon. The lives and careers of six pioneers of the style—Bing Crosby, Russ Columbo, Gene Austin, Rudy Vallee, Johnny Marvin, and Nick Lucas—are covered at length. With the exception of one entry devoted to Crosby—possibly the greatest entertainer of the past century—these biographies (appended by lengthy bibliographies and discographies) are more thorough and up-to-date than any treatment in print about these seminal artists.

This book examines Louis Armstrong, Duke Ellington, and Miles Davis as distinctively global symbols of threatening and nonthreatening black masculinity. It centers them in debates over U.S. cultural exceptionalism, noting how they have been part of the definition of jazz as a jingoistic and exclusively American form of popular culture.

Details the life of Crosby, almost on a daily basis, and, with the aid of many contemporary reviews, produces an account of one of the most important show business figures of the twentieth century. A discography, a fact file and a large index, which picks up many other show biz icons, supplements this work.