Traces the thirty-year history of the Hollywood studio, describes its most important films, and looks at the various individuals who ran the company.

"This detailed history of the company from the second decade of the twentieth century to the present fills a gap in the history of the early American film industry. A detailed filmography is available online"--

Draws on personal letters, journals, and interviews with family members and colleagues to capture the life and times of Frances Marion.

ROY, “ROCKY” & RED RYDER; “HOPPY”, DURANGO & MO(O)RE By: Dr. Jim Vickrey, Ph.D., J.D. From Chapter One: The Wages of Cinema -- on Coming of Age on the B-Western Movie Range, to the Conclusion: Why You Can Yet Join Me in Riding the Range Again ..., author Dr. Jim Vickrey is "hopeful that the experiences I've had while researching and writing this movie-related memoir will engender within readers the same happy thoughts I had and have resulting from my first and every subsequent encounter thereafter with the world of Western, particularly B-Western, cinema”

Conflicts among Hollywood studios and exhibitors have been going on for years. At their heart are questions about how films should be released--where, when and at what speed. Both sides of this disagreement are losers, with exhibitors using the law via various Consent Decrees and studios retaliating by tightly controlling output. In the Silent Era, movies were not released nearly as widely as they are now. This book tells the story of how the few became the many. It explores the contraction of the release cycle, the maximization of the marketing dollar, and the democratization of consumer access. It also offers a comprehensive list of wide releases and rebuts much of what previous scholars have found.

As Hollywood entered the sound era, it was rightly determined that the same public fascinated by the novelty of the talkie would be dazzled by the spectacle of a song and dance film. In 1929 and 1930, film musicals became the industry's most lucrative genre--until the greedy studios almost killed the genre by glutting the market with too many films that looked and sounded like clones of each other. From the classy movies such as Sunnyside Up and Hallelujah! to failures such as The Lottery Bride and Howdy Broadway, this filmography details 171 early Hollywood musicals. Arranged by subgenre (backstagers, operettas, college films, and stage-derived musical comedies), the entries include studio, release date, cast and credits, running time, a complete song list, any recordings spawned by the film, Academy Award nominations and winners, and availability on video or laserdisc. These data are followed by a plot synopsis, including analysis of the film's place in the genre's history. Includes over 90 photographs.