One of the "Big Five" studios of Hollywood’s golden age, RKO is remembered today primarily for the famous films it produced, from King Kong and Citizen Kane to the Astaire-Rogers musicals. But its own story also provides a fascinating case study of film industry management during one of the most vexing periods in American social history. RKO Radio Pictures: A Titan is Born offers a vivid history of a thirty-year roller coaster of unstable finances, management battles, and artistic gambles. Richard Jewell has used unparalleled access to studio documents generally unavailable to scholars to produce the first business history of RKO, exploring its decision-making processes and illuminating the complex interplay between art and commerce during the heyday of the studio system. Behind the blockbuster films and the glamorous stars, the story of RKO often contained more drama than any of the movies it ever produced.

Slow Fade to Black completes Richard B. Jewell’s richly detailed two-part history of the RKO film studio, which began with RKO Radio Pictures: A Titan Is Born, published in 2012. This second volume charts the studio’s fortunes, which peaked during World War II, declined in the postwar period, and finally collapsed in the 1950s. Drawing on hard-to-access archival materials, Jewell chronicles the period from 1942 to the company’s demise in 1957. Towering figures associated with the studio included Howard Hughes, Orson Welles, Charles Koerner, Val Lewton, Jane Russell, and Robert Mitchum. In addition to featuring an extraordinary cast of characters, the RKO story describes key aspects of entertainment history: Hollywood’s collaboration with Washington, film noir, censorship, HUAC, the rise of independent film production, and the impact of television on film. Taken as a whole, Jewell’s two-volume study represents the most substantial and insightful exploration of the Hollywood studio system to date.

King Kong and The Thing from Another World are among the most popular horror and science fiction films of all time and both were made by RKO Radio Pictures. Between 1929 and 1956, RKO released more than 140 genre features, including The Most Dangerous Game, The Phantom of Crestwood, Before Dawn, The Monkey's Paw, The Hunchback of Notre Dame, You'll Find Out, The Spiral Staircase, The Enchanted Cottage, It's a Wonderful Life, Captive Women and Killers from Space. RKO is remembered for its series of psychological horror movies produced by Val Lewton, including Cat People, I Walked with a Zombie, The Seventh Victim and The Body Snatcher. The studio also produced films in the adventure, comedy, fantasy, mystery and western genres. They released many Walt Disney classics--Snow White and the Seven Dwarfs, Fantasia, Pinocchio, Cinderella, Peter Pan--as well as several "Tarzan" features. This volume covers these movies in detail with critical and historical analysis, in-depth plot synopsis and numerous contemporary reviews.

RKO Radio Pictures existed in an atmosphere of almost chaos, from its optimistic beginnings in 1928 until it collapsed into ruins at the hands of Howard Hughes nearly 30 years later. Yet in that show history RKO made some of the greatest films and featured some of the finest talents ever to emerge from Hollywood.

Slow Fade to Black completes Richard B. Jewell’s richly detailed two-part history of the RKO film studio, which began with RKO Radio Pictures: A Titan Is Born, published in 2012. This second volume charts the studio’s fortunes, which peaked during World War II, declined in the postwar period, and finally collapsed in the 1950s. Drawing on hard-to-access archival materials, Jewell chronicles the period from 1942 to the company’s demise in 1957. Towering figures associated with the studio included Howard Hughes, Orson Welles, Charles Koerner, Val Lewton, Jane Russell, and Robert Mitchum. In addition to featuring an extraordinary cast of characters, the RKO story describes key aspects of entertainment history: Hollywood’s collaboration with Washington, film noir, censorship, HUAC, the rise of independent film production, and the impact of television on film. Taken as a whole, Jewell’s two-volume study represents the most substantial and insightful exploration of the Hollywood studio system to date.

"Enjoying exclusive access to RKO archives before they were dispersed to the winds, Rick Jewell has crafted a powerful and unprecedented company history that is rich in detail and sharp in insight. Pinpointing both industry ambitions and corporate shenanigans, Jewell offers a tale both gripping and instructive. A major contribution to Hollywood studio history in the classic era." —Dana Polan, author of Scenes of Instruction: The Beginnings of the U.S. Study of Film “Richard Jewell has written a definitive portrait of a major Hollywood studio during the heyday of the movies. Enriched by a lode of archival material, Jewell’s RKO story reconstructs the dynamics of the studio system; its stresses and strains; its logistical challenges; and its in-house rivalries. Some big names are vividly brought to life: David Sarnoff, Pandro Berman, Fred Astaire, Katharine Hepburn, Orson Welles, to name a few. Jewell interweaves RKO’s corporate maneuverings and production agenda with great skill. A more compelling history of a Hollywood major is hard to imagine.” —Tino Balio, author of The Foreign Film Renaissance on American Screens, 1946–1973 “A painstakingly researched and lucidly written business history of RKO Studios from its founding through 1942, Richard Jewell’s RKO Studios: A Titan is Born not only traces the shifting economic fortunes of the studio that gave us King Kong, the Astaire-Rogers musicals, and Citizen Kane but also fills an important gap in our understanding of how the studio system survived and at times even thrived during the Golden Age of Hollywood.” —Charles Maland, author of Chaplin and American Culture