R.K. Narayan is a writer whose stories have enamoured my soul whether it was the rendition of stories on the audio visual medium or the books that filled my hands and mind with treasures of common and mystical. These stories are created in the simple yet magical world of Malgudi which has a wealth of peculiar characters straight out of a town or village in India; these common folk and their idiosyncrasies amuse and connect us with them in an incomprehensible way. We can analyse ourselves and our imperfections through reading their stories. These stories are a mirror to human frailties, thus, inspiring us to live rather than always trying to become better version of ourselves. Ambition, glamour, development, technology, competition, to grow big and do big is what has never touched Narayan stories…his characters live unperturbed in simple villages, simply enjoying every morsel and every conversation that comes their way. Indian myths and folklore form the bedrock of his stories. Simply told yet holding didactic messages through symbolic connect to mythology and Vedic and Puranic texts. A Narayan story is a sneak peek into the unpretentious common folk and their life and ambitions; wish the writer was presenting another story to us where how social media and digitization affects the amusing world of Malgudi would have been a treat to read! This book is an endeavour from my side to write about the contribution of Narayan to Indian English Literature and attempting a commentary upon some of his remarkable works

R.K. Narayan And His Social Perspective Deals With The Caste-Ridden Hindu Society Which Narayan Presents In His Novels. His Characters Are Fatalists With Explicit Faith In The Invisible. The Book Presents Their Half¬Hearted Attempts At Self-Assertion. However, Their So-Called Sentimentalism Does Not Bear Fruit And They Fall Back To Their Former Position Accepting Defeat In Life.The Book Brings Out Vividly Narayan S Atti¬Tude To Life, His Firm Grip Of Hindu Ethos Of Which He Is The Product, And His Failure To Come Out Of It, Though The West Wind Has Blown Much Of Its Dust.However Detached He Sounds Himself To The Readers, His True Spirit Finds Vivid Expression In The Book. At Any Rate R.K. Narayan Is A Thoroughly Indian Novelist Par Excellence, And The Aspect Is Hardly To Be Overlooked.

R.K. Narayan (1906-2001) is one of the most influential and respected Indian writers. This book is a critical study of Narayan’s novels of the common people, their aspirations and struggles, their pieties and rituals, their myths and superstitions. The fictional town of Malgudi in pre-industrial Southern India is the setting for these timeless stories. The book presents a holistic view of Malgudi and its people from multiple perspectives, such as social, cultural, religious, and economic. In Narayan’s novels, tradition and modernity, fiction and reality, and mythology and history seamlessly merge to craft the narrative. They explore the impact of caste, class, and religion on the individual and the community, as well as the interface between the traditional and the modern, and the past and the present, highlighting the inherent pulls and tensions in society. However, even as Malgudi clings to its conservative past, it opens its doors to urban, educated, and professional men and women from the outside. The book will interest students, teachers, and scholars of literature.

Four gems, with new introductions, mark acclaimed Indian writer R. K. Narayan's centennial Introducing this collection of stories, R. K. Narayan describes how in India "the writer has only to look out of the window to pick up a character and thereby a story." Composed of powerful, magical portraits of all kinds of people, and comprising stories written over almost forty years, Malgudi Days presents Narayan's imaginary city in full color, revealing the essence of India and of human experience. This edition includes an introduction by Pulitzer Prize- winning author Jhumpa Lahiri. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Ruskin Bond wrote his first short story, ‘Untouchable’, at the age of sixteen, and has written memorable fiction ever since. He is famous not only for his love of the hills, but for imbuing the countryside with life and vibrancy through moving descriptions. The simple people who inhabit his stories evoke sympathy and laughter in equal measure. This wonderful collection of seventy stories, including classics like ‘A Face in Dark’, ‘The Kitemaker’, ‘The Tunnel’, ‘The Room of Many Colours’, ‘Dust on the Mountain’ and ‘Times Stops at Shamli’, is a must-have for any bookshelf.

R. K. Narayan (1906—2001) witnessed nearly a century of change in his native India and captured it in fiction of uncommon warmth and vibrancy. Swami and Friends introduces us to Narayan’s beloved fictional town of Malgudi, where ten-year-old Swaminathan’s excitement about his country’s initial stirrings for independence competes with his ardor for cricket and all other things British. Written during British rule, this novel brings colonial India into intimate focus through the narrative gifts of this master of literary realism.

R. K. Narayan (1906—2001) witnessed nearly a century of change in his native India and captured it in fiction of uncommon warmth and vibrancy. The four novels collected here, all written during British rule, bring colonial India into intimate focus through the narrative gifts of this master of literary realism. Swami and Friends introduces us to Narayan’s beloved fictional town of Malgudi, where ten-year-old Swaminathan’s excitement about his country’s initial stirrings for independence competes with his ardor for cricket and all other things British. The Bachelor of Arts is a poignant coming-of-age novel about a young man flush with first love, but whose freedom to pursue it is hindered by the fixed ideas of his traditional Hindu family. In The Dark Room, Narayan’s portrait of aggrieved domesticity, the docile and obedient Savitri, like many Malgudi women, is torn between submitting to her husband’s humiliations and trying to escape them. The title character in The English Teacher, Narayan’s most autobiographical novel, searches for meaning when the death of his young wife deprives him of his greatest source of happiness. These pioneering novels, luminous in their detail and refreshingly free of artifice, are a gift to twentieth-century literature.