Mary Russell and Sherlock Holmes turn the Riviera upside down to crack their most captivating case yet in the New York Times bestselling series that Lee Child called “the most sustained feat of imagination in mystery fiction today.” It’s summertime on the Riviera, and the Jazz Age has come to France’s once-sleepy beaches. From their music-filled terraces, American expatriates gaze along the coastline at the lights of Monte Carlo, where fortunes are won, lost, stolen, and sometimes hidden away. When Mary Russell and Sherlock Holmes arrive, they find their partnership pulled between youthful pleasures and old sins, hot sun and cool jazz, new affections and enduring loyalties. Russell falls into easy friendship with an enthralling American couple, Sara and Gerald Murphy, whose golden life on the Riviera has begun to attract famous writers and artists—and some of the scoundrels linked with Monte Carlo’s underworld. The Murphy set will go on to inspire everyone from F. Scott Fitzgerald to Pablo Picasso, but in this summer of 1925, their importance for Russell lies in one of their circle’s recent additions: the Holmeses’ former housekeeper, Mrs. Hudson, who hasn’t been seen since she fled England under a cloud of false murder accusations. When a beautiful young man is found dead in Mrs. Hudson’s front room, she becomes the prime suspect in yet another murder. Russell is certain of Mrs. Hudson’s innocence; Holmes is not. But the old woman’s colorful past has been a source of tension between them before, and now the dangerous players who control Monte Carlo’s gilded casinos may stop at nothing to keep the pair away from what Mrs. Hudson’s youthful history could bring to light. The Riviera is a place where treasure can be false, where love can destroy, and where life, as Mary Russell and Sherlock Holmes will discover, can be cheap—even when it is made of solid gold.

Mary Russell and Sherlock Holmes turn the Riviera upside down to crack their most captivating case yet in the New York Times bestselling series that Lee Child called “the most sustained feat of imagination in mystery fiction today.” It’s summertime on the Riviera, and the Jazz Age has come to France’s once-sleepy beaches. From their music-filled terraces, American expatriates gaze along the coastline at the lights of Monte Carlo, where fortunes are won, lost, stolen, and sometimes hidden away. When Mary Russell and Sherlock Holmes arrive, they find their partnership pulled between youthful pleasures and old sins, hot sun and cool jazz, new affections and enduring loyalties. Russell falls into easy friendship with an enthralling American couple, Sara and Gerald Murphy, whose golden life on the Riviera has begun to attract famous writers and artists—and some of the scoundrels linked with Monte Carlo’s underworld. The Murphy set will go on to inspire everyone from F. Scott Fitzgerald to Pablo Picasso, but in this summer of 1925, their importance for Russell lies in one of their circle’s recent additions: the Holmeses’ former housekeeper, Mrs. Hudson, who hasn’t been seen since she fled England under a cloud of false murder accusations. When a beautiful young man is found dead in Mrs. Hudson’s front room, she becomes the prime suspect in yet another murder. Russell is certain of Mrs. Hudson’s innocence; Holmes is not. But the old woman’s colorful past has been a source of tension between them before, and now the dangerous players who control Monte Carlo’s gilded casinos may stop at nothing to keep the pair away from what Mrs. Hudson’s youthful history could bring to light. The Riviera is a place where treasure can be false, where love can destroy, and where life, as Mary Russell and Sherlock Holmes will discover, can be cheap—even when it is made of solid gold.

The automotive industry underwent great change in the 1960s and the early 1970s. The continuing trend toward market consolidation, the proliferation of sizes and nameplates, and the "need for speed" characterized this period, loosely labeled as the muscle car era. This is an exhaustive reference work to American made cars of model years 1966-1972. Organized by year (and summarizing the market annually), it provides a yearly update on each make's status and production figures, then details all models offered for that year. Model listings include available body styles, base prices, engine and transmission choices, power ratings, standard equipment, major options and their prices, curb weight and dimensions (interior and exterior), paint color choices, changes from the previous year's model, and sales figures. Also given are assembly plant locations and historical overviews of each model nameplate.

The automotive industry underwent great change in the 1960s and the early 1970s. The continuing trend toward market consolidation, the proliferation of sizes and nameplates, and the "need for speed" characterized this period, loosely labeled as the muscle car era. This is an exhaustive reference work to American made cars of model years 1960-1972. Organized by year (and summarizing the market annually), it provides a yearly update on each make's status and production figures, then details all models offered for that year. Model listings include available body styles, base prices, engine and transmission choices, power ratings, standard equipment, major options and their prices, curb weight and dimensions (interior and exterior), paint color choices, changes from the previous year's model, and sales figures. Also given are assembly plant locations and historical overviews of each model nameplate. The book is profusely illustrated with 1,018 photographs.

In Race Experts Linda Kim examines the complicated and ambivalent role played by sculptor Malvina Hoffman in T​he Races of Mankind series created for the Chicago Field Museum in 1930. Although Hoffman had training in fine arts and was a protégé of Auguste Rodin and Ivan Mestrović, she had no background in anthropology or museum exhibits. She was nonetheless commissioned by the Field Museum to make a series of life-size sculptures for the museum's new racial exhibition, which became the largest exhibit on race ever installed in a museum and one of the largest sculptural commissions ever undertaken by a single artist. Hoffman's Races of Mankind exhibit was realized as a series of 104 bronzes of racial types from around the world, a unique visual mediation between anthropological expertise and everyday ideas about race in interwar America. Kim explores how the artist brought scientific understandings of race and the everyday racial attitudes of museum visitors together in powerful and productive friction. The exhibition compelled the artist to incorporate not only the expertise of racial science and her own artistic training but also the popular ideas about race that ordinary Americans brought to the museum. Kim situates the Races of Mankind exhibit at the juncture of these different forms of racial expertise and examines how the sculptures represented the messy resolutions between them. Race Experts is a compelling story of ideological contradiction and accommodation within the racial practices of American museums, artists, and audiences.

Contains comprehensive listings of some of the most difficult to identify dinnerware manufacturers.