Painted riverscapes such as Claude Monet’s impressions of the Seine, Isaak Levitan’s Volga views, or Thomas Cole’s Hudson scenery became iconic not least because they embodied nationalist ideas about place and about culture. At a time when nationalism was taking root across Europe and the United States, the riverscape played an important role in transforming the abstract idea of the nation into a potent visual image. It not only offered a picture of the nation’s physical character, but through aspects such as style, the figures portrayed, and the nature of the implied spectator, it presented a cultural ideal. In this highly original book, Tricia Cusak explores significance of painted riverscapes to the creation of national identities in nineteenth and early twentieth century Europe and America. Focusing on five rivers, the Hudson, the Volga, the Seine, the Thames, and the Shannon, the author outlines the history of the development of national landscapes, elaborating on the distinctive nature of riverscapes. Drawing on the symbolic potential of rivers to represent life and time, the riverscape provided a metaphor for the mythic stream of national history flowing unimpeded out of the past and into the future.

Fishermen, monks, saints, and dragons met in medieval riverscapes; their interactions reveal a rich and complex world. Using religious narrative sources to evaluate the environmental mentalities of medieval communities, Ellen F. Arnold explores the cultural meanings applied to rivers over a broad span of time, ca. 300-1100 CE. Hagiographical material, poetry, charters, chronicles, and historiographical works are explored to examine the medieval environmental imaginations about rivers, and how storytelling and memory are connected to lived experiences in riverscapes. She argues that rivers provided unique opportunities for medieval communities to understand and respond to ecological and socio-cultural transformations, and to connect their ideas about the shared religious past to hopes about the future.

This book offers an in-depth look at the measures involved in revitalizing industrial riverbank areas. It uses the examples of already completed projects to thematize the city-planning measures involved as well as project development and financing strategies.

Painted riverscapes such as Claude Monet's impressions of the Seine, Isaak Levitan's Volga views, or Thomas Cole's Hudson scenery became iconic not least because they embodied nationalist ideas about place and about culture. At a time when nationalism was taking root across Europe and the United States, the riverscape played an important role in transforming the abstract idea of the nation into a potent visual image. It not only offered a picture of the nation's physical character, but through aspects such as style, the figures portrayed, and the nature of the implied spectator, it presented a cultural ideal. In this highly original book, Tricia Cusak explores significance of painted riverscapes to the creation of national identities in nineteenth and early twentieth century Europe and America. Focusing on five rivers, the Hudson, the Volga, the Seine, the Thames, and the Shannon, the author outlines the history of the development of national landscapes, elaborating on the distinctive nature of riverscapes. Drawing on the symbolic potential of rivers to represent life and time, the riverscape provided a metaphor for the mythic stream of national history flowing unimpeded out of the past and into the future.

The purpose of this design manual is to provide restoration practitioners with guidelines for implementing a subset of low-tech tools--namely beaver dam analogues (BDAs) and post-assisted log structures (PALS)--for initiating process-based restoration in structurally-starved riverscapes. While the concept of process-based restoration in riverscapes has been advocated for at least two decades, details and specific examples on how to implement it remain sparse. Here, we describe 'low-tech process-based restoration' as a practice of using simple, low unit-cost, structural additions (e.g. wood and beaver dams) to riverscapes to mimic functions and initiate specific processes. Hallmarks of this approach include: - An explicit focus on the processes that a low-tech restoration intervention is meant to promote.- A conscious effort to use cost-effective, low-tech treatments (e.g., hand-built, natural materials, non-engineered, short-term design life-spans) because of the need to efficiently scale-up application.- 'Letting the system do the work', which defers critical decision making to riverscapes and nature's ecosystem engineers.

The Handbook provides a supporting guide to key aspects and applications of landscape ecology to underpin its research and teaching. A wide range of contributions written by expert researchers in the field summarize the latest knowledge on landscape ecology theory and concepts, landscape processes, methods and tools, and emerging frontiers. Landscape ecology is an interdisciplinary and holistic discipline, and this is reflected in the chapters contained in this Handbook. Authors from varying disciplinary backgrounds tackle key concepts such as landscape structure and function, scale and connectivity; landscape processes such as disturbance, flows, and fragmentation; methods such as remote sensing and mapping, fieldwork, pattern analysis, modelling, and participation and engagement in landscape planning; and emerging frontiers such as ecosystem services, landscape approaches to biodiversity conservation, and climate change. Each chapter provides a blend of the latest scientific understanding of its focal topics along with considerations and examples of their application from around the world. An invaluable guide to the concepts, methods, and applications of landscape ecology, this book will be an important reference text for a wide range of students and academics in ecology, geography, biology, and interdisciplinary environmental studies.