We all have different perspectives on what is occurring in society, based upon our own experiences. River Voices is the authors’ perspective on some of the issues that affect the African American community. Too often, we sit on the fence and hope that things will get better or worse yet, fail to acknowledge that something is “wrong”. River Voices is an attempt to motivate; we can no longer sit and wait for someone else to solve our problems, unless their problem is the same as ours, nothing will be done. River Voices, speaks; echoing the concerns that reside deep inside most of us. Each section contains research, photography and poetry. Topics highlighted include: Blacks in Corporate America, Love and Relationships, Crimes in the Black Community, Teenage Pregnancies, Religion, and Psychological and Domestic Abuse and Personal Development. River Voices is designed to be enjoyed by all generations, to be discussed and debated. You are encouraged to disagree and provided your own thoughts about these issues and then, take action.

"One of America's greatest (and most threatened) glories is its network of public lands, and in this volume, the talented Dickerson makes the most of them. These landscapes are not the backdrop but the foreground of his lovely essays, that will make you want to travel to these treasures." -Bill McKibben, author of Earth: Making a Life on a Tough New Planet

Born in Minnesota in 1890 and raised and educated in Massachusetts, Marjory Stoneman Douglas came to Florida in 1915 to work for her father, who had just started a newspaper called the Herald in a small town called Miami. In this "frontier" town, she recovered from a misjudged marriage, learned to write journalism and fiction and drama, took on the fight for feminism and racial justice and conservation long before those causes became popular, and embarked on a long and uncommonly successful voyage into self-understanding. Way before women did this sort of thing, she recognized her own need for solitude and independence, and built her own little house away from town in an area called Coconut Grove. She still lives there, as she has for over 40 years, with her books and cats and causes, emerging frequently to speak, still a powerful force in ecopolitics. Marjory Stoneman Douglas begins this story of her life by admitting that "the hardest thing is to tell the truth about oneself" and ends it stating her belief that "life should be lived so vividly and so intensely that thoughts of another life, or a longer life, are not necessary." The voice that emerges in between is a voice from the past and a voice from the future, a voice of conviction and common sense with a sense of humor, a voice so many audiences have heard over the years—tough words in a genteel accent emerging from a tiny woman in a floppy hat—which has truly become the voice of the river.

This book addresses societal relationships to river systems, highlighting many unexplored possibilities in how we know and manage our rivers. Brierley contends that although we have good scientific understanding of rivers, with remarkable prospect for profound improvements to river condition, management applications greatly under-deliver. He conceptualizes approaches to river repair in two very different ways: Medean (competitive) and Gaian (cooperative). Rather than ‘managing’ rivers to achieve particular anthropogenic goals (the former option), this book adopts a more-than-human approach to ‘living with living rivers’ (the latter option), applying a river rights framework that conceptualizes rivers as sentient entities. Chapters build on significant experience across many parts of the world, emphasizing the diverse array of river attributes and relationships to be protected and the wide range of problems to be addressed. Although the book has an environmental focus, it is framed as an argument in popular philosophy, contemplating the agency of rivers as place-beings. It will be of great value to academics, students and general readers interested in protecting river systems.

The New York Times–bestselling classic set amid the mountains and streams of early twentieth-century Montana, “as beautiful as anything in Thoreau or Hemingway” (Chicago Tribune). When Norman Maclean sent the manuscript of A River Runs Through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Today, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs Through It has established itself as a classic of the American West filled with beautiful prose and understated emotional insights. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.” “Maclean’s book—acerbic, laconic, deadpan—rings out of a rich American tradition that includes Mark Twain, Kin Hubbard, Richard Bissell, Jean Shepherd, and Nelson Algren.” —New York Times Book Review Includes a new foreword by Robert Redford, director of the Academy Award–winning film adaptation