This series introduces individual works or small groups of related works in the Museum's collections to a broad public. Each monograph includes a close discussion of its subject as well as a detailed analysis of the broader context in which the work was created, considering relevant historical, cultural, and chronological issues.

Practical overview of river ecology looking at natural and cultural environment.

Davy kills two men and leaves home. His father packs up the family in a search for Davy.

The New York Times–bestselling classic set amid the mountains and streams of early twentieth-century Montana, “as beautiful as anything in Thoreau or Hemingway” (Chicago Tribune). When Norman Maclean sent the manuscript of A River Runs Through It and Other Stories to New York publishers, he received a slew of rejections. One editor, so the story goes, replied, “it has trees in it.” Today, the title novella is recognized as one of the great American tales of the twentieth century, and Maclean as one of the most beloved writers of our time. The finely distilled product of a long life of often surprising rapture—for fly-fishing, for the woods, for the interlocked beauty of life and art—A River Runs Through It has established itself as a classic of the American West filled with beautiful prose and understated emotional insights. Based on Maclean’s own experiences as a young man, the book’s two novellas and short story are set in the small towns and mountains of western Montana. It is a world populated with drunks, loggers, card sharks, and whores, but also one rich in the pleasures of fly-fishing, logging, cribbage, and family. By turns raunchy and elegiac, these superb tales express, in Maclean’s own words, “a little of the love I have for the earth as it goes by.” “Maclean’s book—acerbic, laconic, deadpan—rings out of a rich American tradition that includes Mark Twain, Kin Hubbard, Richard Bissell, Jean Shepherd, and Nelson Algren.” —New York Times Book Review Includes a new foreword by Robert Redford, director of the Academy Award–winning film adaptation

Will Hobbs’s classic tale of whitewater adventure is back in print with an exciting new look. No adults, no permit, no river map. After fifteen-year-old Jessie gets sent to Discovery Unlimited, an outdoor education program, she and six companions “borrow” the company’s rafting gear and take off down the Colorado River through the Grand Canyon on their own. Floating beneath sheer red walls, camping on white sand beaches, and exploring caves and waterfalls, Jessie and the others are having the time of their lives—at first. But when they’re pursued by helicopters, they boldly push on into the black-walled inner gorge, the heart of the Grand Canyon, only to encounter huge rapids, bone-chilling rain, injuries, and conflict within the group. What will be the consequences of their reckless adventure? This riveting novel includes an author’s note about his own rafting experiences and has been ranked by the American Library Association as a “100 Best of the Best” for twenty-five years—a testament to the enduring popularity of the action and adventure that await in Downriver.

Super fans. Groupies. Stalkers.These people will give anything for the idols they worship, be they rock stars, actor, or authors. Or even serial killers.Lori's obsession is with Edmund Cox, who was convicted of butchering more than twenty women. She will do anything to get close to him, so when he gives her a task, she accepts.She has no idea of the horror that awaits her.Edmund says she must go to his cabin in the woods and retrieve a key to deliver to a mysterious figure known only as The River Man.She brings along her sister, and the trip becomes a surreal nightmare, one that digs up Lori's personal demons, the ones she feels bonds her to Edmund. Soon she will learn The River Man is not quite fact or folklore, and definitely not human . . . at least not anymore.