In the heart of Panama, a volcanic lake feeds a serpentine river—its stone banks laid by the Inca, who took back the gold and jewels plundered from them by the conquistadors. Legend has it that the Twice-Stolen Treasure has been buried for centuries in the Panamanian jungle. Discovering it means surviving the unpredictable black waters of the River of Ruin.... It begins at a Paris auction house, with a favor granted by an old high school friend to geologist Philip Mercer: the opportunity to buy a rare diary written during the French attempt at digging the Panama Canal. But Mercer isn’t the only one who wants it. Three Chinese assassins have been dispatched to get it, forcing Mercer into a subterranean game of cat and mouse that takes him from the hellish maze of l’empire de la mort and through the sewers of Paris. Mercer realizes he has uncovered an intricate Chinese plot to trigger a deadly shift in the world’s balance of power. At stake is control of the canal, recently handed over to the government of Panama by the United States. Only Philip Mercer—with help from beautiful U.S. Army officer Lauren Vanik, a cell of tough French Foreign Legion commandos, and a crusty eighty-year-old retired sea captain named Harry White—can stop them.

The thin ribbon of the Carmel River is just thirty-six miles long and no wider in most places than a child can throw a stone. It is the primary water supply for the ever-burgeoning presence of tourists, agriculture, and industry on California’s Monterey Peninsula. It is also one of the top ten endangered rivers in North America. The river’s story, which dramatically unfolds in this book, is an epic tale of exploitation, development, and often unwitting degradation reaching back to the first appearance of Europeans on the pristine peninsula. River in Ruin is a precise weaving of water history—local and larger—and a natural, social, and environmental narrative of the Carmel River. Ray A. March traces the river’s misuse from 1879 and details how ever more successful promotions of Monterey demanded more and more water, leading to one dam after another. As a result the river was disastrously depleted, cluttered with concrete rubble, and inhospitable to the fish prized by visitors and residents alike. March’s book is a cautionary tale about squandering precious water resources—about the ultimate cost of a ruined river and the slim but urgent hope of bringing it back to life.

Traces the misuse of the Carmel River, detailing the increasing demand for water that has lead to multiple dams and that has left the river as one of the top ten endangered rivers in North America.

In the 1970s, Manhattan’s west side waterfront was a forgotten zone of abandoned warehouses and piers. Though many saw only blight, the derelict neighborhood was alive with queer people forging new intimacies through cruising. Alongside the piers’ sexual and social worlds, artists produced work attesting to the radical transformations taking place in New York. Artist and writer David Wojnarowicz was right in the heart of it, documenting his experiences in journal entries, poems, photographs, films, and large-scale, site-specific projects. In Cruising the Dead River, Fiona Anderson draws on Wojnarowicz’s work to explore the key role the abandoned landscape played in this explosion of queer culture. Anderson examines how the riverfront’s ruined buildings assumed a powerful erotic role and gave the area a distinct identity. By telling the story of the piers as gentrification swept New York and before the AIDS crisis, Anderson unearths the buried histories of violence, regeneration, and LGBTQ activism that developed in and around the cruising scene.