The culmination of years of fieldwork in southern Malawi, River of Blood reconstructs the beginnings of the Mbona martyr cult, follows its history to the present day, and reveals the fascinating intersections of an indigenous belief system with European Christianity. In the cult of Mbona, the central African mythology of the snake that is beheaded to make the rains come has been combined with a more spiritual interpretation: the snake has been transformed into a human martyr and redeemer. According to the cult, the rainmaker Mbona was tracked down by his enemies; they cut off his head, and his blood formed the River of Blood. Mbona returned as a storm wind and asked that a shrine be dedicated in his name. J. Matthew Schoffeleers recounts how the Portuguese presence in Zambezia in the period 1590-1622 led to more than three decades of internecine warfare and caused the people of southern Malawi tremendous suffering. In response to this political oppression and social upheaval, Schoffeleers shows, the people looked to Mbona, their "black Jesus," for redemption. Beyond reconstructing the cult's genesis, Schoffeleers traces its recent history, particularly in political context. He provides texts of seven cult myths from different historical periods in both Chimang'anja and English. His analysis presents the Mbona myth as a continuous social construction and deconstruction. Emphasizing the impact of political and spiritual oppression on the cult, he distinguishes between the differing versions of the myth preserved by the aristocracy and by the commonalty and demonstrates how these disparate views unite to preserve historical information. In so doing, he shows that cults serve as valuable repositories for historical information.

"A law doesn't exist until you fear it." Sean Tower, reluctant beneficiary of a family tradition in law enforcement, spins headlong into the violent, corrupt world of a metropolitan police force. His anarchist idealism and the culture of the warrior cop prove destined for bloody collision.

Reveals how new DNA technology helped police to solve the rape, torture and murder of restaurant manager Lisa Kimmel--a crime that had remained unsolved for 15 years--finally putting a twisted serial killer, driven by dark appetites, behind bars. Original.

Twelve-year-old Samuel Collier is a lowly commoner on the streets of London. So when he becomes the page of Captain John Smith and boards the Susan Constant, bound for the New World, he can’t believe his good fortune. He’s heard that gold washes ashore with every tide. But beginning with the stormy journey and his first contact with the native people, he realizes that the New World is nothing like he imagined. The lush Virginia shore where they establish the colony of James Town is both beautiful and forbidding, and it’s hard to know who’s a friend or foe. As he learns the language of the Algonquian Indians and observes Captain Smith’s wise diplomacy, Samuel begins to see that he can be whomever he wants to be in this new land.

'Blood River' is a readable account of an African country now virtually inaccessible to the outside world and what is perhaps one of the most daring and adventurous journeys a journalist has made.

In the late 1930s, the federal government embarked on an unusual project. As a part of the Works Progress Administration's efforts to give jobs to unemployed Americans, government workers tracked down 3,000 men and women who had been enslaved before and during the Civil War. The workers asked them probing questions about slave life. What did they think about their slaveholders? What songs did they sing? What games did they play? Did they always think about escaping? The result was a remarkable compilation of interviews known as the Slave Narratives. This book highlights those narratives--condensing tens of thousands of pages into short excerpts from about 100 former slaves and pairs their accounts with their photographs, taken by the workers sent to record their stories. The book documents what slaves saw and remembered, and explains how they lived. It is an eye-opening account that details what it was like to be a slave--from everyday life to the overwhelming fear they harbored for their lives and for the lives of their family and loved ones. Their stories are clear and stirring. For some reason, the 700 photographs taken for the Slave Narrative Collection have been largely overlooked. The negatives are missing and the paperclip impressions used to attach the small prints to the typewritten interviews indicates that the photos were never valued or treated as art. By pairing 100 narratives and photographs, the material takes on a new life. Every word from every former slave comes alive when the reader can see exactly who told these accounts. The photographs--with the stories--are essential in helping us understand the humanity behind these stories. The words take on new meeting paired with the photographs. When you hear Bill Homer explain that he was given as a wedding present at the age of ten in 1860 and look at his photograph as a proud old man, the true meaning of slavery starts to sinks in. This book is designed so that all Americans will better understand this issue that plays such an important role in present day society. The words and the photographs are profound.

THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMS transports readers to the majestic landscapes and hard Native American lives of the desert Southwest and into the embrace of a way of looking at the world that seems almost like revelation. Born to a storytelling Native mother and a roughneck, song-singing cowboy father, Nasdijj has lived on the jagged-edged margins of American society, yet hardship and isolation have only brought him greater clarity--and a gift for language that is nothing short of breathtaking. Nasdijj tells of his adopted son, Tommy Nothing Fancy, of the young boy's struggle with fetal alcohol syndrome, and of their last fishing trip together. It is a heartbreaking story, written with great power and a diamondlike poetry. But whether Nasdijj is telling us about his son, about the chaotic, alternately harrowing and comical life he led with his own parents, or about the vitality and beauty of Native American culture, his voice is always one of searching honesty, wry humor, and a nearly cosmic compassion. While Nasdijj struggles with his impossible status as someone of two separate cultures, he also remains a contradiction in a larger sense: he cares for those who often shun him, he teaches hope though he often has none for himself, and he comes home to the land he then must leave. THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMS is the memoir of a man who has survived a hard life with grace, who has taken the past experience of pain and transformed it into a determination to care for the most vulnerable among us, and who has found an almost unspeakable beauty where others would find only sadness. This is a book that will touch your soul.