Throughout the Americas, performances deriving from medieval European rituals, ceremonies, and festivities made up a crucial part of the cultural cargo shipped from Europe to the overseas settlements. In 1583, Sir Humphrey Gilbert sailed from Plymouth, England, to Newfoundland, bringing with him "morris dancers, hobby horses, and Maylike Conceits" for the "allurement of the savages" and the "solace of our people." His voyage closely resembled that of twelve Franciscan friars who in 1524 had arrived in what is now Mexico armed with a repertoire of miracle plays, religious processions, and other performances. These two events, although far from unique, helped shape initial encounters between Europeans and indigenous peoples; they also marked the first stages of the process that would lead—by no means smoothly—to a distinctively American culture. Ritual Imports is a groundbreaking cultural history of European performance traditions in the New World, from the sixteenth century to the present. Claire Sponsler examines the role of survivals and adaptations of medieval drama in shaping American culture from colonization through nation building and on to today's multicultural society. The book's subjects include New Mexican matachines dances and Spanish conquest drama, Albany's Pinkster festival and Afro-Dutch religious celebrations, Philadelphia's mummers and the Anglo-Saxon revival, a Brooklyn Italian American saint's play, American and German passion plays, and academic reconstructions of medieval drama. Drawing on theories of cultural appropriation, Ritual Imports makes an important contribution to medieval and American studies as well as to cultural studies and the history of theater.

Robert Koehl has long considered processions to have played an integral role in Aegean Bronze Age societies. Papers concentrate mainly on evidence from Crete, the Cyclades and the Greek mainland, with additional perspectives from abroad, these geographic divisions forming the basic outline of this volume.

‘Ritual Failure’ is a new concept in archaeology adopted from the discipline of anthropology. Resilient religious systems disappearing, strict believers and faithful practitioners not performing their rites, entire societies changing their customs: how does a religious ritual system transform, change or disappear, leaving only traces of its past glory? Do societies change and then their ritual? Or do customs change first, in turn provoking wider cultural shifts in society? Archaeology possesses the tools and methodologies to explore these questions over the long term; from the emergence of a system, to its peak, and then its decay and disappearance, and in relation to wider social and chronological developments. The collected papers in this book introduce the concept of ‘ritual failure’ to archaeology. The analysis explores ways in which ritual may have been instrumental in sustaining cultural continuity during demanding social conditions, or how its functionality might have failed – resulting in discontinuity, change or collapse. The collected papers draw attention to those turbulent social times of change for which ritual practices are a sensitive indicator within the archaeological record. The book reviews archaeological evidence and theoretical approaches, and suggests models which could explain socio-cultural change through ritual failure. The concept of ‘ritual failure’ is also often used to better understand other themes, such as identity and wider social, economic and political transformations, shedding light on the social conditions that forced or introduced change. This book will engage those interested in ritual theory and practices, but will also appeal to those interested in exploring new avenues to understanding cultural change. From transformations in the use of ritual objects to the risks inherent in practicing ritual, from ritual continuity in customs to sudden and profound change, from the Neolithic Near East to Roman Europe and Iron Age Africa, this book explores what happens when ritual fails.

During the Early Iron Age and the Archaic period, the central Mediterranean was the scene of revolutionary changes and rapid development within the various cultural entities of Italy, Sardinia, and Sicily. It was this region that saw Greek settlement in South Italy and Sicily, Phoenician colonization in Sicily and Sardinia, and the beginnings of trade and contact between the cultures of the region and those of the East, with a subsequent exchange of technology, material, and ideas. The purpose of this study is twofold. Firstly, it centres upon a database of imported material in the Italian peninsula, Sardinia, and Sicily dating from approximately 800 to 500 BC, which has been constructed in order to study trade in this region. The database upon which this work is founded stands at a little over 50,000 objects. Making a database of imported objects into the central Mediterranean region, and undertaking a study of the methodology dealing with the statistical problems of such an endeavour, is an attempt to rectify a few of the shortcomings of past scholarship. It is the basis for a re-examination of the problem of the beginnings of trade and contact. The second major intention of this study reflects the necessity to ensure that applied theory remains embedded in data, and the potential for Iron Age and Archaic data, if handled appropriately, to form a fertile theoretical bed. The primary purpose of this work is to expand the range, the transparency and the flexibility of data not only for the short-term reason of admitting new questions, but also with the longer view of strengthening the soundness of applied theory in this field. Over and above the evaluation of current ideas and the illumination of new ones, this study is an open demonstration of the utility of databases of archaeological material as a tool for further research.

Focusing on everyday rituals, the essays in this volume look at spheres of social action and the places throughout the Atlantic world where African–descended communities have expressed their values, ideas, beliefs, and spirituality in material terms. The contributors trace the impact of encounters with the Atlantic world on African cultural formation, how entanglement with commerce, commodification, and enslavement and with colonialism, emancipation, and self-rule manifested itself in the shaping of ritual acts such as those associated with birth, death, healing, and protection. Taken as a whole, the book offers new perspectives on what the materials of rituals can tell us about the intimate processes of cultural transformation and the dynamics of the human condition.

Explored in this essay collection is how Shakespeare is rewritten, reinscribed and translated to fit within the local tradition, values, and languages of the world's various communities and cultures. Contributors show that Shakespeare, regardless of the medium – theater, pedagogy, or literary studies – is commonly 'rooted' in the local customs of a people in ways that challenge the notion that his drama promotes a Western idealism. Native Shakespeares examines how the persistent indigenization of Shakespeare complicates the traditional vision of his work as a voice of Western culture and colonial hegemony. The international range of the collection and the focus on indigenous practices distinguishes Native Shakespeares from other available texts.

The discipline of religious studies has historically tended to focus on discrete ritual mistakes occurring in the context of individual performances as outlined in ethnographic or sociological studies; scholars have largely overlooked the extensive discussions of ritual mistakes that exist in the religious literature of indigenous traditions. And yet ritual mistakes (ranging from the simple to the complex) happen all the time, and they continue to carry ritual "weight," even when no one seriously doubts their impact on the efficacy of a ritual. In Ritual Gone Wrong, Kathryn McClymond approaches ritual mistakes as an integral part of ritual life and argues that religious traditions can accommodate mistakes and are often prepared for them. McClymond shows that many traditions even incorporate the regular occurrence of errors into their ritual systems, developing a substantial literature on how rituals can be disrupted, how these disruptions can be addressed, and when disruptions have gone too far. Offering a series of case studies ranging from ancient India to modern day Iraq, and from medieval allegations of child sacrifice to contemporary Olympic ceremonies, McClymond explores the numerous ways in which ritual can go wrong, and demonstrates that the ritual is by nature fluid, supple, and dynamic-simultaneously adapting to socio-cultural conditions and, in some cases, shaping them.