In bringing together these scattered witnesses to the sustained brilliance of Anglo-Saxon artistic achievement across several centuries, ?amonn ? Carrag?in has produced a study of great significance to Anglo-Saxon history.

An expansive compilation of New Testament apocrypha in English translation, featuring fascinating but heretofore unpublished texts. New Testament Apocrypha, vol. 3, continues to unearth the vast diversity of Christian Scripture outside of the traditional canon. This new collection encompasses a broad range of languages—Greek, Church Slavic, Old English, Coptic, and more—and spans centuries, from the formation of the canonical New Testament to the high Middle Ages. The selections here represent some of the least studied apocryphal texts, many of which have not previously received an English translation or a critical edition. Notable newly edited and translated selections include The Martyrdom of Zechariah, The Decapitation of John the Forerunner, The Birth of John, The Revelation about the Lord’s Prayer, and The Dialogue of Mary and Christ on the Departure of the Soul. Each text is accompanied by a robust introduction, bibliography, and notes. Scholars of apocrypha, Scripture, and hagiography from a breadth of disciplines will find this an indispensable reference for their research and teaching. Contributors: Carson Bay, Mark Glen Bilby, Rick Brannan, Christian H. Bull, Slavomir Čéplö, Alexander D’Alisera, J. Gregory Given, Nathan J. Hardy, Brandon W. Hawk, Stephen C. E. Hopkins, Alexander Kocar, Brent Landau, Jacob A. Lollar, Christine Luckritz Marquis, Ivan Miroshnikov, Tobias Nicklas, Samuel Osborn, Stephen Pelle, Bradley Rice, Julia A. Snyder, Janet E. Spittler, James Toma, Péter Tóth, Sarah Veale, J. Edward Walters, Charles D. Wright, Lorne R. Zelyck

A comprehensive overview, by period and region, of the archaeology of ritual and religion. The coverage is global, and extends from the earliest prehistory to modern times. Written by over sixty renowned specialists, the Handbook presents the very best in current scholarship, and will also stimulate further research.

This interdisciplinary volume collects original essays in literary criticism and literary theory, philology, codicology, metrics, and art history. Composed by prominent scholars in Anglo-Saxon studies, these essays honor the depth and breadth of Patrick W. Conner’s influence in our discipline. As a scholar, teacher, editor, administrator and innovator, Pat has contributed to Anglo-Saxon studies for four decades. It is hard to say which of his legacies is most profound.

This book calls attention to the importance of scholarly reflection on the writing of liturgical history. The essays not only probe the impact of important shifts in historiography but also present new scholarship that promises to reconfigure some of the established images of liturgy's past. Based on papers presented at the 2014 Yale Institute of Sacred Music Liturgy Conference, Liturgy's Imagined Past/s seeks to invigorate discussion of methodologies and materials in contemporary writings on liturgy's pasts and to resource such writing at a point in time when formidable questions are being posed about the way in which historians construct the object of their inquiry.

Awarded the Irish Historical Research Prize 2021. The Venerable Bede (c. 673–735) was the leading intellectual figure of the early Anglo-Saxon Church, and his extensive corpus of writings encompassed themes of exegesis, computus (dating of Easter and construction of calendars), history and hagiography. Rather than look at these works in isolation, Máirín MacCarron argues that Bede’s work in different genres needs to be read together to be properly understood. This book provides the first integrated analysis of Bede’s thought on time, and demonstrates that such a comprehensive examination allows a greater understanding of Bede’s writings on time, and illuminates the place of time and chronology in his other works. Bede was an outstanding intellect whose creativity and ingenuity were apparent in various genres of writing. This book argues that in innovatively combining computus, theology and history, Bede transformed his contemporaries’ understanding of time and chronology.

When she died in 2016, Dr Jennifer O’Reilly left behind a body of published and unpublished work in three areas of medieval studies: the iconography of the Gospel Books produced in early medieval Ireland and Anglo-Saxon England; the writings of Bede and his older Irish contemporary, Adomnán of Iona; and the early lives of Thomas Becket. In these three areas she explored the connections between historical texts, artistic images and biblical exegesis. This volume is a collection of 16 essays, old and new, relating history and exegesis in the writings of Bede and Adomnán, and in the lives of Thomas Becket. The first part consists of seven studies of Bede’s writings, notably his biblical commentaries and his Ecclesiastical History. Two of the essays are published here for the first time. The five studies in the second part, devoted to Adomnán, discuss his life of Saint Columba (the Vita Columbae) and his guide to the Holy Places (De locis sanctis). One essay (‘The Bible as Map’), published posthumously, compares his presentation of a major theme, the earthly and heavenly Jerusalem, with the approach adopted by Bede. The third section consists of two essays on the lives of Thomas Becket that were composed shortly after his death. They examine, in the context of patristic exegesis, the biblical images invoked in the texts in order to show how the saint’s biographers understood the complex relationship between hagiography and history. With the exception of the Jarrow Lecture on Bede and the essays on Becket, the studies in both parts were published originally in edited books, some of them now hard to come by. (CS1078).