This volume is about the history, literature, ritual, and thought associated with ancient Mesopotamian witchcraft. With chapters on the changing forms and roles of witchcraft beliefs, the ritual function, form, and development of the Maqlû text (the most important ancient work on the subject), and the meaning of the Maqlû ceremony, as well as the ideology of the final version of the text. The volume significantly contributes to our understanding of the Maqlû text, and the reconstruction of the development of thought about witchcraft and magic in Mesopotamia.

Offered in celebration of Talmon's half-century of life and study in Israel, the essays in this Festschrift reflect Talmon's lifelong interest in all phases of biblical and related study. Also included is a comprehensive listing of Talmon's published writings.

Wiggerman's study of Mesopotamian monsters bridges the gap between text and image. Wooden and clay figures of monstrous spirits such as Hairy-One (lahmu), Bison-Bull (kusarikku), and Furious-Snake (mushussu) stand guard at the entrances to buildings to protect the inhavitants from demonic intruders. Deriving his information from the ritual texts that describe the production and installation of these figures, the author identifies the monsters of the texts with objects from the archaeological record and presents a detailed discussion of the identities and histories of a variety of Mesopotamian monsters.

Originally published in 1896, this text contains the cunieform text of 60 clay tablets written between 669-625 BC. These tablets were inscribed with prayers and religious compositions of a devotional and magical character and there is little doubt that they were compiled from Babylonian sources.

This volume, edited by Tzvi Zbusch and Karel van der Toorn, contains the papers delivered at the first international conference on Mesopotamian magic held under the auspices of the Netherlands Institute for Advanced Studies (NIAS) in June 1995. It is the first collective volume dedicated to the study of this topic. It aims at serving as a bench-mark and provides analytic and innovative but also sythetic and programmatic essays. Magical texts, forms, and traditions from the Mesopotamian cultural worlds of the third millennium BCE through the first millennium CE, in the Sumerian, Akkadian and Aramaic languages as well as in art, are examined.

A new reconstruction and translation of the Maqlû text The Akkadian series Maqlû, “Burning,” is one of the most significant and interesting magical texts from the Ancient Near East. The incantations and accompanying rituals are directed against witches and witchcraft and ctually represent a single complex ceremony. The ceremony was performed during a single night and into the following morning at the end of the month Abu (July/August), a time when spirits were thought to move back and forth between the netherworld and the world of the living. Features: English translation of approximately 100 incantations and rituals Annotated transcription Introduction places the series in historical context and shows how it is a product of a complex literary and ceremonial development.