Architecture and Ritual explores how the varied rituals of everyday life are framed and defined in space by the buildings which we inhabit. It penetrates beyond traditional assumptions about architectural style, aesthetics and utility to deal with something more implicit: how buildings shape and reflect our experience in ways of which we remain unconscious. Whether designed to house a grand ceremony or provide shelter for a daily meal, all buildings coordinate and consolidate social relations by giving orientation and focus to the spatial practices of those who use them. Peter Blundell Jones investigates these connections between the social and the spatial, providing critical insights into the capacity for architecture to structure human ritual, from the grand and formal to the mundane. This is achieved through deep readings of individual pieces of architecture, each with a detailed description of its particular social setting and use. The case studies are drawn from throughout architectural history and from around the globe, each enabling a distinct theoretical theme to emerge, and showing how social conventions vary with time and place, as well as what they have in common. Case studies range from the Nuremberg Rally to the Centre Pompidou, and from the Palace of Westminster to Dogon dwellings in Africa and a Modernist hospital. In considering how all architecture has to mesh with the habits, beliefs, rituals and expectations of the society that created it, the book presents deep implications for our understanding of architectural history and theory. It also highlights the importance for architects of understanding how buildings frame social space before they prescribe new architectural designs of their own. The book ends with a recent example of user participation, showing how contemporary user interest and commitment to a building can be as strong as ever.

Ritual and Ceremonial Buildings details the formation and historical development of ritual architecture, from the Confucian ritual concept to the sacrificial architecture of the Ming and Qing dynasties. The term "ritual architecture" is applied to buildings and structures constructed for sacrificial purposes, such as altars and temples. In feudal China, altars and temples were built according to strict traditions, and so naturally ritual buildings became an important part of China's ancient architecture. The first part ofRitual and Ceremonial Buildings traces ritual architecture as it developed from the Confucian philosophy that advocated the governing of the country by rites. In the second part, Sun Dazhang details these buildings with beautiful color photographs and explanatory captions, highlighting the artistic significance of the spectacular altars, temples and halls of ancient China. As Confucianism became a national philosophy, the sacrificial altars and temples for worship began to fall under the direct control of the government. Their magnificence today can very well be compared with that of imperial palaces, large monasteries, and Taoist temples. This volume most notably highlights the Temple of Heaven in Beijing, where emperors of the Ming and Qing dynasties held sacrificial ceremonies to heaven and prayed for rain and a good harvest. It also discusses the many different types of sacrificial architecture, including temples for the worship of natural gods, temples for the worship of ancestors, and temples for the worship of sages. Including 119 color photographs, 26 illustrations and figures, and 3 maps, Ritual and Ceremonial Buildings documents the various examples of ritual and ceremonious architecture in ancient China. This volume displays the luxurious internal and external details of numerous halls and temples, presenting to the reader the skilled artistry that characterized ancient Chinese architecture.

This collection of essays examines various rituals and ceremonies in American popular culture, including architecture, religion, television viewing, humor, eating, and dancing.

In An Arena for Higher Powers Olof Sundqvist investigates ceremonial buildings and religious ruler strategies in Late Iron Age Scandinavia (i.e. AD 550-1050/1100). The author offers here an account of the role played by religion in political undertakings among the pre-Christian ruling elites at halls and cultic buildings. Sundqvist applies a regional approach, so as to be able to account for the specific historical, cultural and social contexts. The focus is mainly on three regions, the Lake Mälaren area in Sweden, Trøndelag in Norway, and Iceland. Since the political structure and other contextual aspects partly differed in the three regions, the religious strategies for gaining legitimacy and authorization at the sanctuaries also varied to some extent in these areas.

Necipoglu demonstrates the palace's role as a vast stage for the enactment of a ceremonial that emphasized the sultan's absolute power and his aloofness from the outside world. In the absence of the monumentality, axiality, and rational geometric planning principles now usually associated with imperial architecture, the author's deciphering of the palace's iconography is all the more revealing.

By bringing together in one place specific objects, materials, and features indicating ritual, religious, or magical belief used by people around the world and through time, this tool will assist archaeologists in identifying evidence of belief-related behaviors and broadening their understanding of how those behaviors may also be seen through less obvious evidential lines. Instruction and templates for recording, typologizing, classifying, and analyzing ritual or magico-religious material culture are also provided to guide researchers in the survey, collection, and cataloging processes. The bulleted formatting and topical range make this a highly accessible work, while providing an incredible wealth of information in a single volume.