Rita Blitt: Around and Round is a full-color, beautifully produced collection of works by internationally renowned artist Rita Blitt. The works gathered in these pages are selections from Rita Blitt's output from 1958 to the present and are representative of her many mediums—painting, drawing, sculpture, video, and interdisciplinary collaboration. Blitt’s words “Kindness is contagious. Catch it!” have inspired thousands of people all over the world. Her works are included in numerous museums, installations, and private collections—including those in Australia, Israel, Japan, Singapore, and the United States. Her short film collaboration with David Parsons, Parsons Dance Company, and Lois Greenfield, entitled "Caught in Paint," has won 16 awards and has been invited to be shown in over 130 film festivals. This collection of art and scholarly essays is published in commemoration of the establishment of Washburn University's Rita Blitt Legacy Collection. In 2019, she was awarded an Honorary Doctoral degree in Fine Arts by Washburn University.

Delightful rhymes and charming hand-stitched art celebrate the many ways we sleep across the world. Perfect for a baby shower gift and for fans of This Is How We Do It.

What lines would you cross to save someone you love? Filled with the kinds of impossible choices that made the TV show Weeds such a hit, this compelling drama asks to what lengths an avid rule-follower will go in order to save her family--and the answer involves "growing" in surprising directions. Sixteen-year-old Honor Augustine never set out to become a felon. As an academic all-star, avid recycler, and dedicated daughter to her PTSD-afflicted father, she's always been the literal embodiment of her name. Coloring inside the lines is what keeps Honor's chaotic existence orderly. But when she discovers her father's VA benefits drying up, coupled with a terrifying bank letter threatening the family's greenhouse business--Honor vows to find a solution. She just doesn't expect to spot it on the dry erase board of English lit--"Nature's first green is gold." The quote by Frost becomes the seed of an idea. An idea that--with patience and care--could germinate into a means of survival. Maybe marijuana could be more than the medicinal plant that helps quiet her father's demons. Maybe, it could save them all.

Winner of the AIGA'S International Competition for Notable Graphic Design. “It’s both an architecture and movie fan’s dream.” - Los Angeles Times "Strikingly designed." - Publishers Weekly “Explores the cinematic tradition of antiheroes with architecturally significant private spaces." - Architectural Digest “A fascinating gift for that highbrow nerd in your life.” - Syfy Wire Why do bad guys live in good houses? From Atlantis in The Spy Who Loved Me to Nathan Bateman's ultra-modern abode in Ex Machina, big-screen villains often live in architectural splendor. From a design standpoint, the villain’s lair, as popularized in many of our favorite movies, is a stunning, sophisticated, envy-inducing expression of the warped drives and desires of its occupant. Lair: Radical Homes and Hideouts of Movie Villains, celebrates and considers several iconic villains’ lairs from recent film history. From futuristic fantasies to deathtrap-laden hives, from dwellings in space to those under the sea, pop culture and architecture join forces in these outlandish, primarily modern homes and in Lair, which features buildings from fifteen films, including: Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb Star Wars The Incredibles Blade Runner 2049 You Only Live Twice The Ghost Writer Body Double North by Northwest Edited by acclaimed architect Chad Oppenheim with Andrea Gollin, Lair includes interviews with production designers and other industry professionals such as Ralph Eggleston, Richard Donner, Roger Christian, David Scheunemann, Gregg Henry, and Mark Digby. Contributors include director Michael Mann, cultural critic Christopher Frayling, museum director Joseph Rosa, and architect Amy Murphy. Architectural illustrations and renderings by Carlos Fueyo provide multiple in-depth views of these spaces.