Rise, Decline and Renewal tells the remarkable story of the Maine Democratic Party – how it suddenly rose from irrelevance in 1954 with the election of Governor Ed Muskie, successfully challenged the ruling Republican Party over the next two decades, and initiated a creative period of wide-ranging reforms that produced a model government for a state long perceived as a cultural and economic backwater. Prosperity was clouded by leadership failures, however, then succeeded by political and institutional decline. The vision that had once galvanized Democrats faded, elected officials clung to power, and legislators failed to provide good representation for the citizens who’d empowered them. The final chapters describe how Maine’s largest political party can again seize the initiative, energize a new generation of young people, and govern in the public interest once more.

Originally published in 1997 this book examines the unique nature and characteristics of Silicon Valley and looks at the factors that led to the economic and competitiveness problems of the 1980s. The research concluded that the information revolution caused a complex set of events that had global ramifications. Silicon Valley was no longer operating as a driver of this revolution, but it was facing the onslaught of the global competitiveness it had unleashed.

The fascinating story of the historic Elmwood District is told for the first time, from the arrival on the Niagara Frontier of Joseph Ellicott, through the role played by Fredrick Law Olmsted' s parks and parkways, and into the decline and renewal during modern era. This lushly illustrated book educates and enlightens, telling the stories of the people who gave Elmwood its enduring character, transforming it from dense forest into one of America' s top ten neighborhoods.

As one of the founders of the field of women's history, Lois Banner reveals Marilyn Monroe in the way that only a top-notch historian and biographer could. Banner appreciates the complexities of Monroe's personal life in the context of her achievements as an actor, singer, dancer, comedian, model and courtesan.

Tracing the genealogy of our physical interaction with mobile devices back to textile and needlecraft culture. For many of our interactions with digital media, we do not sit at a keyboard but hold a mobile device in our hands. We turn and tilt and stroke and tap, and through these physical interactions with an object we make things: images, links, sites, networks. In The Fabric of Interface, Stephen Monteiro argues that our everyday digital practice has taken on traits common to textile and needlecraft culture. Our smart phones and tablets use some of the same skills—manual dexterity, pattern making, and linking—required by the handloom, the needlepoint hoop, and the lap-sized quilting frame. Monteiro goes on to argue that the capacity of textile metaphors to describe computing (weaving code, threaded discussions, zipped files, software patches, switch fabrics) represents deeper connections between digital communication and what has been called “homecraft” or “women's work.” Connecting networked media to practices that seem alien to media technologies, Monteiro identifies handicraft and textile techniques in the production of software and hardware, and cites the punched cards that were read by a loom's rods as a primitive form of computer memory; examines textual and visual discourses that position the digital image as a malleable fabric across its production, access, and use; compares the digital labor of liking, linking, and tagging to such earlier forms of collective production as quilting bees and piecework; and describes how the convergence of intimacy and handiwork at the screen interface, combined with needlecraft aesthetics, genders networked culture and activities in unexpected ways.