"Every Tuesday night at midnight in a dark corner of the Comedy Store, a beautiful and hilarious fight breaks out. Starving comedians drown their prejudice in comedy. It's scary. It's hilarious. It's completely punk rock. Burgeoning comics and cast-aside performers have moments of heroism, and we all get the rare chance to cleanse our sins in humor." - director Jason Reitman Accidentally conceived in July 2013 at a small, sweaty Comedy Store open mic to avoid a comedian fistfight, insult-joke competition Roast Battle has since become a global phenomenon. Taking cues from two seemingly divergent insider traditions - Friars Club roasts and urban rap battles - the show melded both into a mainstream format accessible to anyone who dared take the stage. The rules were simple: No subject was off limits, original material only, and at the end of the battle, competitors hugged. Equal parts blood sport and personal catharsis, the show instantly caught on with performers, industry members scouting the next big thing, and audiences who preferred their punchlines off-color. As host and referee, Brian Moses assembled a zany cast of supporting characters including revered Roastmaster General Jeff Ross, who was hooked from his first night. Ross gave the show instant legitimacy. He also brought his celebrity friends along to judge. Tastemakers like Judd Apatow, Jim Carrey, Jason Reitman, Dave Chappelle, Jimmy Kimmel, Snoop Dogg, Sarah Silverman, Seth Rogen, and John Mayer counted themselves among Roast Battle's devotees. The show caught early breaks at the New York Comedy Festival and South by Southwest. Just as a TV deal seemed inevitable, tensions rose and egos flared. Founders squabbled over ownership rights. Factions formed. Friendships were irrevocably broken. But for the creators and competitors who believed Roast Battle's potential was bigger than the sum of its (often raunchy) parts, freedom of speech was more than a political talking point. It was everything comedy's most enduring legends fought for since the advent of brick-wall backdrops. Five years since its inception, Roast Battle remains the most adventurous, influential comedy show in the world. Imitators exist in every city with a local comedy scene. In addition to three stateside seasons on Comedy Central, the TV brand has expanded to South Africa, Mexico, and the U.K...the latter of which became Comedy Central U.K.'s most-watched series of all time. Yet despite the growing pains, the L.A. original stubbornly retains its gritty, underground spirit, reaching capacity weekly without a lick of advertising. With on-the-scene photos by Troy Conrad showcasing the venues, competitors, riotous cast of characters, and celebrity judges this "Verbal Boxing" and "Fight Club for Comedians" has welcomed along the way, longtime comedy journalist Julie Seabaugh's Ringside at Roast Battle chronicles the emergence of a new fourth pillar of live comedy. From the coming-together of the principal players to the continuing influence the show will wield in years to come, the book explores the organic diversity, DIY nature, and politically-charged atmosphere encouraging a new generation of comedians to laugh in the face of tragedy.

An odyssey of family, heartbreak, violence, punk rock, brokenness, broke-ness, sex, love, loss, drinking, drinking, drinking, and an unlikely savior: distance running. A misfit kid at the best of times, Mishka Shubaly had his world shattered when, in a twenty-four-hour span in 1992, he survived a mass shooting on his school's campus, then learned that his parents were getting divorced. His father, a prominent rocket scientist, abandoned the family and their home was lost to foreclosure. Shubaly swore to avenge the wrongs against his mother, but instead plunged into a magnificently toxic love affair with alcohol. Almost two decades later, Shubaly's life changed again when a fateful five-mile run after a bar fight inspired him to clean up his life. And when he finally reconnected with his estranged father, he discovered the story of his childhood was radically different from what he thought he knew. In this fiercely honest, emotional, and self-laceratingly witty book, Shubaly relives his mistakes, misfortunes, and infrequent good decisions: the disastrous events that fractured his life; his incendiary romances; his hot-and-cold career as a rock musician; meeting his newborn nephew while out of his gourd on cough syrup. I Swear I'll Make It Up to You is an apology for choices Shubaly never thought he'd live long enough to regret, a journey so far down the low road that it took him years of running to claw his way back.

Death in the Afternoon is a non-fiction book written by Ernest Hemingway about the ceremony and traditions of Spanish bullfighting, published in 1932. The book provides a look at the history and what Hemingway considers the magnificence of bullfighting. It also contains a deeper contemplation on the nature of fear and courage. While essentially a guide book, there are three main sections: Hemingway's work, pictures, and a glossary of terms.

The debut full-length poetry collection of Melissa Cundieff

Throughout history, potters, sculptors, painters, poets, novelists, cartoonists, song-writers, photographers, and filmmakers have recorded and tried to make sense of boxing. From Daniel Mendoza to Mike Tyson, boxers have embodied and enacted our anxieties about race, ethnicity, gender, and sexuality. In her encyclopedic investigation of the shifting social, political, and cultural resonances of this most visceral of sports, Kasia Boddy throws new light on an elemental struggle for dominance whose weapons are nothing more than fists. Looking afresh at everything from neoclassical sculpture to hip-hop lyrics, Boddy explores the ways in which the history of boxing has intersected with the history of mass media. Boddy pulls no punches, looking to the work of such diverse figures as Henry Fielding and Spike Lee, Charlie Chaplin and Philip Roth, James Joyce and Mae West, Bertolt Brecht and Charles Dickens in an all-encompassing study that tells us just how and why boxing has mattered so much to so many.

Winner of the Pulitzer Prize “A masterwork . . . the novel astonishes with its inventiveness . . . it is nothing less than a grand comic fugue.”—The New York Times Book Review A Confederacy of Dunces is an American comic masterpiece. John Kennedy Toole's hero, one Ignatius J. Reilly, is "huge, obese, fractious, fastidious, a latter-day Gargantua, a Don Quixote of the French Quarter. His story bursts with wholly original characters, denizens of New Orleans' lower depths, incredibly true-to-life dialogue, and the zaniest series of high and low comic adventures" (Henry Kisor, Chicago Sun-Times).

DigiCat Publishing presents to you this special edition of "The Big Sea" by Langston Hughes. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.