A code-generated project for print, Ringing the Changes is an homage to the art of bell-ringing. Ordinary folk in seventeenth-century England sought to ring all 7! (7 x 6 x 5 x 4 x 3 x 2 x 1=5040 ) permutations—all the different arrangements or “changes” possible—with seven bells. Their quest to perform mathematical patterns with their bodies is re-inaugurated here, using code and cited language. A full peal signifies all permutations, but shorter “method” sequences are rung today, such as the Scientific Triples peal used in this Python code. Method performances visit a number of changes, but only once each. In the ringing world, this constraint is called truth; to repeat any row would make the performance false. A random element has also been added: each bell is given 23 sounds, analogous to overtones. Each is a voice, a short text to read, or hear, or view as a score. In any run of the code, one of these 23 is randomly assigned to its bell—subject to the constraint that all 23 choices must be allotted before any are repeated. Six of the bells have one preponderant source, cited at length; a medley of others briefly appear. Each text, over the course of 161 changes (here, pages), is repeated seven times. The words sampled in Ringing the Changes allude to changes that need to be rung—that is, considered and heard—in our lives and communities. By permuting and re-aligning these texts, a generated order makes plain how concerns can be variously mapped and, thus, variously understood; by enacting the differences ordering and context make, it helps us to refuse a “canonical” order, or hierarchy, of attention, such as is normally enforced by print presentation, thereafter to be lionized and remediated as “true” or “fake.”

A rare insight into the intimate thoughts of Mazo de la Roche, and the private life she normally kept hidden. The author confesses how strongly she connected with her character Finch Whiteoak, her struggles with wanting to be a boy, and her complicated relationship with her cousin and adoptive sibling, Caroline.

Change-ringing is a form of traditional music based on sequences, permutations and patterns. It is most familiar to the public as the sound of church bells. Change-ringing can also be performed on handbells, where it becomes a contrast to the melodic music of handbell choirs. This book guides readers through the elementary stages of change-ringing on handbells, from first principles to a standard repertoire. No previous experience of change-ringing is necessary. The authors have been ringing handbells for over 30 years, and blog about their experiences at www.handbellringing.co.uk. "There have been no books dedicated to the subject of change ringing on handbells for over three decades. For several years, Simon and Tina's blog has provided us with fascinating insights into the experiences of a progressive handbell band, sharing useful hints and tips along the way. Based upon this experience, they have written this comprehensive and up-to-date guide to ringing handbells from first principles through to Treble Bob Major. It is expertly written and illustrated, explaining everything you need to know to make progress, in easy steps. I am confident it will become a classic." - Graham John

Tintinnalogia, or, the Art of Ringing, represents a seminal work within the niche yet fascinating domain of campanologythe study and art of bell ringing. This collection distinguishes itself through a meticulous exploration of ringing patterns, striking techniques, and the historical evolution of bell-ringing practices. Its content spans from theoretical underpinnings to practical guidelines, showcasing a remarkable diversity in both the literary style and the approach to the subject matter. The anthology stands as a significant cultural artifact, shedding light on the social and religious significance of bell ringing across various epochs. The contributing authors, Fabian Stedman and Richard Duckworth, are pivotal figures in the development of campanology. Their contributions not only encapsulate the technical aspects of bell ringing but also reflect the broader historical and cultural context in which these practices evolved. By interweaving their expertise with a rich narrative style, the collection elevates the dialogue surrounding the art form, situating it within significant historical and liturgical movements. For enthusiasts and scholars alike, Tintinnalogia offers a comprehensive and enlightening exploration of bell ringing. Its scholarly depth provides a unique educational opportunity, while the diversity of perspectives and themes encourages a deeper appreciation for this intricate art. Readers are invited to delve into this anthology to discover the captivating world of campanology, enhancing their understanding and appreciation of a tradition that resonates through history.