Citizenship in a Republic is the title of a speech given by Theodore Roosevelt, former President of the United States, at the Sorbonne in Paris, France, on April 23, 1910. One notable passage from the speech is referred to as "The Man in the Arena": It is not the critic who counts; not the man who points out how the strong man stumbles, or where the doer of deeds could have done them better.

In a work of unusual ambition and rigorous comparison, Roberto Romani considers the concept of 'national character' in the intellectual histories of Britain and France. Perceptions of collective mentalities influenced a variety of political and economic debates, ranging from anti-absolutist polemic in eighteenth-century France to appraisals of socialism in Edwardian Britain. Romani argues that the eighteenth-century notion of 'national character', with its stress on climate and government, evolved into a concern with the virtues of 'public spirit' irrespective of national traits, in parallel with the establishment of representative institutions on the Continent. His discussion of contemporary thinkers includes Montesquieu, Voltaire, Hume, Millar, Burke, Constant, de Staël and Tocqueville. After the mid-nineteenth century, the advent of social scientific approaches, including those of Spencer, Hobson and Durkheim, shifted the focus from the qualities required by political liberty to those needed to operate complex social systems, and to bear its psychological pressures.

Dr Sassi examines the debate over the proper connection in society between religion and public life, that took place in the fifty years following the American Revolution.

Public Righteousness: The Performative Ethics of Human Flourishing is driven by the idea that part of what manifests as a disorderly display of virtue in public culture is underlined by the desire to see a more righteous society and an expression of the will to enact such an ideal world into reality. This book re-structures the ferment of such public displays and fashions an ethic that overturns the ostentatious signals of self-righteousness and the fierce contest of animating visions. This book engages the work of social ethicist Nimi Wariboko to explore an idea of public righteousness. In place of smug superiority and phony pieties, the performative ethics that inaugurate this public righteousness offer an intellectual and moral competence that establishes rectitude and culminates in human flourishing.