I thought I would be grafting and working on it. Pursuing it until I breathed my last breath. My ambition and drive was that concrete. But ambition will... Ambition will kill you. The spark is instant. Miles away from home they find each other. They were going to make it big, together. Fast forward years later, a world reset and changed forever they return to where they left it. One an award-winning writer, the other adopting a child and putting faith in crystals. The spark is still there, electric and dangerous. But how do you heal once you've been burned? Right Where We Left Us is a lyrical and witty three-hander and a heartfelt examination of what happens instead of “happy ever after”. A new Welsh play produced by Welsh theatre makers Chippy Lane Productions, this edition was published to coincide with the world premiere at the Chapter Arts Centre, in September 2022.

Perfect for fans of Carly Fortune and Lucy Score, Right Where We Left Us is a searing and unforgettable romance. Temperance Jean Madigan and Duncan Brady have never gotten it right. After one radiant, secret summer together when they were eighteen, they’ve been on-again off-again ever since. Now, despite red-hot chemistry and TJ’s closeness with Duncan’s family, they’re virtually strangers, only capable of adversarial banter, awkward small talk—and the occasional messy hookup. When a wedding at the Bradys' vineyard lands TJ there for the summer, their mutual avoidance strategies prove impossible. The last thing TJ wants is to be under those angsty, heated glances Duncan thinks he hides. And for Duncan, having fiery TJ constantly close is the ultimate distraction that he absolutely can’t afford. When forced proximity begins to chip away at their armor, buried tensions resurface, old wounds urge confrontation, and once-in-a-lifetime love demands one last chance to finally get it right. “Jen Devon knows her way around the human heart.” –Camille Pagán "Devon breaks hearts and puts them back together again.” – Publishers Weekly Don’t miss Jen Devon’s smoldering and intense romance Bend Toward the Sun!

"Some books are downright fun, and Right Where I Left You is one . . . Winters sends a quiet but important message that queer Black and brown kids deserve to live happily ever after too. . . Winters weaves all of these threads—the romance, the relatable anxiety, the message — into a book that, like a crush, you won’t be able to get out of your head."—The New York Times Isaac Martin is ready to kick off summer. His last before heading off to college in the fall where he won't have his best friend, Diego. Where—despite his social anxiety—he’ll be left to make friends on his own. Knowing his time with Diego is limited, Isaac enacts a foolproof plan: snatch up a pair of badges for the epic comic convention, Legends Con, and attend his first ever Teen Pride. Just him and Diego. But when an unexpected run-in with Davi—Isaac’s old crush—distracts him the day tickets go on sale, suddenly he’s two badges short of a perfect summer. Even worse, now he’s left making it up to Diego by hanging with him and his gamer buddies. Decidedly NOT part of the original plan. It’s not all bad, though. Some of Diego’s friends turn out to be pretty cool, and when things with Davi start heating up, Isaac is almost able to forget about his Legends Con blunder. Almost. Because then Diego finds out what really happened that day with Davi, and their friendship lands on thin ice. Isaac assumes he’s upset about missing the convention, but could Diego have other reasons for avoiding Isaac?

“A thought-provoking examination of familial love.” —Booklist “A great coming-of-age story for fans of…Nick and Norah’s Infinite Playlist…and Thanks for the Trouble.” —School Library Journal After Charlotte’s father is kidnapped, she and her mother must overcome their differences and find a way to rescue him in this eloquent, moving portrayal of family from the author of William C. Morris Award finalist Tell Me Something Real. In search of the perfect story to put a human face on a tragedy, Charlotte’s reporter dad will fly into the eye of a storm. And now he’s heading to Ukraine, straight into the aftermath of a deadly earthquake. Charlotte doesn’t want him to leave. She doesn’t want to spend the week alone in a silent house with her mother, whose classically Russian reserve has built a wall between them that neither knows how to tear down. Charlotte is holding it together okay—until the FBI comes knocking on her door. Her father has been taken hostage! The quake has left so many orphans and widows, but Charlotte refuses to be counted among them. Whatever it takes to get her dad back, she’ll do it. Even if it means breaking a promise…or the law.

A provocative look at the evolution of America’s political soul through the lives of six political figures who abandoned the left and joined the right—“thoughtful…engaging…political history at a very high level…and the pages fly by” (The New Republic). From the 1950s to the early 2000s millions of Americans moved left to right politically—a shift that forever changed the country. In Exit Right, Daniel Oppenheimer takes us from the height of the Communist Party’s popularity in America in the 1920s and 30s, through the Great Depression, World War II, the Cold War, the Civil Rights Movement, and up through conservative resurgence of the 80s, before ending with 9/11 and the dawn of the Iraq War. Throughout, he tells the stories of six major political figures whose lives spanned these turbulent times and whose changing politics reshaped the American soul: Whittaker Chambers, James Burnham, Ronald Reagan, Norman Podhoretz, David Horowitz, and Christopher Hitchens. As he maps out the paths that these six individuals have taken to conservatism, Oppenheimer explores the questions of why and how we come to believe politically at all. How do we come to trust one set of truths, or one set of candidates, or associate with one crowd of people—over all other alternatives? Exit Right is an “absorbing” (The Atlantic) look at the roots of American politics. This is a book that will resonate with readers on the left and the right—as well as those stuck somewhere in the middle. Through six dramatic transformations of six enthralling characters, Oppenheimer “writes with the assurance and historical command of someone who has been thinking about his topic for a long time” (The New Yorker).

Left to Right: The cultural shift from words to pictures is an in-depth study of the influence digital technology has had on the way we communicate, and the increasingly visual nature of our culture.

Three sisters struggle with the bonds that hold their family together as they face a darkness settling over their lives in this “one of a kind” (Kirkus Reviews, starred review) debut novel that’s a finalist for the William C. Morris Award. There are three beautiful blond Babcock sisters: gorgeous and foul-mouthed Adrienne, observant and shy Vanessa, and the youngest and best-loved, Marie. Their mother is ill with leukemia and the girls spend a lot of time with her at a Mexican clinic across the border from their San Diego home so she can receive alternative treatments. Vanessa is the middle child, a talented pianist who is trying to hold her family together despite the painful loss that they all know is inevitable. As she and her sisters navigate first loves and college dreams, they are completely unaware that an illness far more insidious than cancer poisons their home. Their world is about to shatter under the weight of an incomprehensible betrayal…