Right Face tells the compelling story of how the American conservative movement in the two decades following World War II managed to move from obscurity to the center stage of national politics. When Dwight D. Eisenhower in 1952 defeated the conservative champion Robert Taft and won the Republican presidential nomination, many on the American right felt that they had become homeless within the established party-system. The brand of liberalism which permeated the nation's intellectual life had also become bipartisan political doctrine. The feeling of cultural and political ostracism triggered a quest for an independent conservative network of organizations, with the hope of either "taking back" the Republican Party or creating a viable alternative. The first part of Right Face recounts the often bitter struggle to define the meaning of conservatism in modern America. Part two concerns the search for influential national outlets for conservative opinion, whereas part three focuses on the movement's actual plunge into electoral politics - not least on its well-planned takeover of the Republican Party machinery in 1964 and the resulting presidential nomination of Senator Barry Goldwater. An epilogue attempts to trace main currents in the evolution of American conservatism since the 1960s, as well as to assess the extent to which American conservatives have managed to create the "Counter-Establishment" they set out to create more than half a century ago. In a sense the conservatives actually set out on two different quests: One was for intellectual respectability. The other was for political power. As this study reveals, the two goals were not always compatible. Based on extensive archival sources, Right Face provides an incisive analysis of the conservative movement and the forces that shaped it. With its blending of intellectual and organizational developments, it adds an important chapter to the history of American political culture in the 20th century.

It is 1777, and England's second-greatest portrait artist, Thomas Gainsborough, has a thriving practice a stone's throw from London's royal palaces. Meanwhile, the press talks up his rivalry with Sir Joshua Reynolds, the pedantic theoretician who is the top dog of British portraiture. Gainsborough loathes pandering to grand sitters, but he changes his tune when he is commissioned to paint King George III and his large family. In their final, most bitter competition, who will be chosen as court painter, Tom or Sir Joshua? Two and a half centuries later, a badly damaged painting turns up on a downmarket TV antiques show being filmed in Suffolk. Could the monstrosity really be, as its eccentric owner claims, a Gainsborough? If so, who is the sitter? And why does he have donkey's ears? Mixing ancient and modern as he did in his acclaimed debut The Hopkins Conundrum, Simon Edge takes aim at fakery and pretension in this highly original celebration of one of our greatest artists. 'A glorious comedy of painting and pretension' Ryan O'Neill

The face of the pedestrian safety crisis looks a lot like Ignacio Duarte-Rodriguez. The 77-year old grandfather was struck in a hit-and-run crash while trying to cross a high-speed, six-lane road without crosswalks near his son’s home in Phoenix, Arizona. He was one of the more than 6,000 people killed while walking in America in 2018. In the last ten years, there has been a 50 percent increase in pedestrian deaths. The tragedy of traffic violence has barely registered with the media and wider culture. Disproportionately the victims are like Duarte-Rodriguez—immigrants, the poor, and people of color. They have largely been blamed and forgotten. In Right of Way, journalist Angie Schmitt shows us that deaths like Duarte-Rodriguez’s are not unavoidable “accidents.” They don’t happen because of jaywalking or distracted walking. They are predictable, occurring in stark geographic patterns that tell a story about systemic inequality. These deaths are the forgotten faces of an increasingly urgent public-health crisis that we have the tools, but not the will, to solve. Schmitt examines the possible causes of the increase in pedestrian deaths as well as programs and movements that are beginning to respond to the epidemic. Her investigation unveils why pedestrians are dying—and she demands action. Right of Way is a call to reframe the problem, acknowledge the role of racism and classism in the public response to these deaths, and energize advocacy around road safety. Ultimately, Schmitt argues that we need improvements in infrastructure and changes to policy to save lives. Right of Way unveils a crisis that is rooted in both inequality and the undeterred reign of the automobile in our cities. It challenges us to imagine and demand safer and more equitable cities, where no one is expendable.

Featuring 52 Hollywood celebrity faces to illustrate the secrets of face reading, this intriguing book reveals all the basics of mysterious physiognomy. By looking at a person's facial features, the reader gets a lot of information: personality, qualities, sexuality, ­popularity, health, life expectancy, etc. It will answer the many questions we all have as to why certain things in life work and others do not, and why our relationships sometimes succeed, sometimes don't. Original.

Presents a set of basic exercises designed to release creative potential and tap into the special abilities of the brain's right hemisphere.

I scanned the original manual at 1,200 dpi.