The bestselling author of the Secret of the Rose series turns to the Holy Land, where the supposed discovery of Noah’s Ark challenges a new world order. Arabia, 1898. A sole pilgrim embarks on a quest to verify the truths of the Old Testament—and is murdered ever so close to the proof he seeks. A revelation that will remain undiscovered for decades . . . Turkey, present day. Scientists, historians, and preachers have dreamed of this moment for centuries. Now archaeologist Adam Livingstone is minutes away from a discovery that will catapult him into worldwide fame—and prove that Noah’s flood was no fairy tale. But as Adam begins the tedious work of unearthing the artifact, a secret cabal of financial and media giants cannot allow their diabolical plans to be destroyed—by letting the truth see the light of day . . . “[An] exciting thriller.” —Library Journal

An engrossing family memoir that shines a light on Palestine’s history, offering a wise, sobering view of how radically conditions there have changed since the late Ottoman Empire, from the award-winning author of We Could Have Been Friends, My Father and I. Raja Shehadeh’s great-great-uncle Najib Nassar, a journalist born in 1865, spent the first 4 decades of his life under the Ottoman Empire. Ruled by a Muslim Sultan, the region nevertheless saw the coexistence of Christianity, Judaism, and Islam, and a freedom of movement unthinkable in the present-day Middle East. On a 2-year quest to discover Najib’s fascinating story, Shehadeh follows his footsteps through what are now Lebanon and Israel, tracing the fall of the Empire after World War I and the disastrous British Mandate. A family memoir written in luminescent prose, A Rift in Time also reflects on how Palestine—in particular the disputed Jordan Rift Valley—has been transformed. Most of Palestine’s history and that of its people is buried deep in the ground: whole villages have disappeared, and names have been erased from the map. Yet by seeing the bigger picture of the landscape and the unending struggle for freedom as Shehadeh does, it is still possible to look toward a better future.

The fall of the Berlin Wall in November 1989 marked the end of East Germany’s socialist regime and a new beginning for a unified German Federal Republic. Cultural historians agree that the event caused one of the deepest rifts in time and thinking seen by an entire generation of Germans—a rift that left its mark on the psyche of every citizen, challenging notions of the personal and the political, and crashing traditional understandings of the individual and the collective self. In this bold rethinking of the question, Cheryl Dueck goes beyond the social, political, and psychological discourses that Marx and Freud, Foucault and Lacan viewed as the initiators of modern (socialist) identities to explore the literature and discourse of the quest for unity of the female subject. Reading such authors as Christa Wolf, Brigitte Reimann, Helga Königsdorf, and Helga Schubert, Dueck traces the striking fissures which run through time and through the female self, haunting women within the socialist project. The book shows how two generations of women writers have struggled consciously and systematically in their letters, aesthetic writings, and literary production to create a new language to express their own sense of self within a restrictive socialist and patriarchal system. Rifts in Time and in the Self offers an unprecedented look at the reconceptualizations of the female subject during several phases of GDR history, and women writers’ persistent attempt to carve out spaces of identity and community.

“In a rift of time the corner of the universe appears to consciousness.” —Ernst Meister

Now an episode of Apple+'s Amazing Stories, when rifts in time break families apart one man must figure out how to put them back together. The Rift tells the story of a single mother and her son whose lives change forever after witnessing a WWII fighter pilot from 1941 crash land in present-day Kansas. They find themselves drawn into the work of Section 47, a secret government organization responsible for responding to Rifts that open in space and time.

Rift in the Races (Book 2 of The Galactic Mage series) follows the continuing story of powerful Prosperion sorcerer Altin Meade and feisty Earth-fleet officer Orli Pewter in the fight against the mysterious alien Hostiles. The Earth fleet is now moving to take advantage of its recent victory. With better combat strategies and Prosperion wizards only a blink away, the time has come to finish the job they set out to do: destroying the Hostiles. But complications arise. Altin's discovery of space-traveling humans from distant Earth has threatened ancient and foundational beliefs for the people of his world. The shockwaves from this revelation begin to unravel a long-standing but precarious balance of power. With her eyes to the sky and all its galactic possibilities, Prosperion's War Queen soon finds her realm on the brink of chaos. Together, Altin and Orli must once again find a way to mediate the forces of pride, frustration and fear between their two peoples, or both planets will be destroyed. What ensues is an action-packed, laser-blasting magic ride through space, war, romance and conspiracy--a thrilling tale of alliances and alien hostility. Unfortunately, sometimes "alien hostility" is a matter of perspective. *** Rift in the Races is the second book in The Galactic Mage series. Book 1, The Galactic Mage, and Book 3, Hostiles, are now available. Book 4, Alien Arrivals, is underway and expected in summer 2014 and a prequel, Ilbei Spadebreaker and the Harpy's Wild, is expected in March 2014.

A Distinguished and Bestselling Historian and Army Veteran Revisits the Culture War that Raged around the Selection of Maya Lin's Design for the Vietnam Memorial A Rift in the Earth tells the remarkable story of the ferocious “art war” that raged between 1979 and 1984 over what kind of memorial should be built to honor the men and women who died in the Vietnam War. The story intertwines art, politics, historical memory, patriotism, racism, and a fascinating set of characters, from those who fought in the conflict and those who resisted it to politicians at the highest level. At its center are two enduring figures: Maya Lin, a young, Asian-American architecture student at Yale whose abstract design won the international competition but triggered a fierce backlash among powerful figures; and Frederick Hart, an innovative sculptor of humble origins on the cusp of stardom. James Reston, Jr., a veteran who lost a close friend in the war and has written incisively about the conflict's bitter aftermath, explores how the debate reignited passions around Vietnam long after the war’s end and raised questions about how best to honor those who fought and sacrificed in an ill-advised war. Richly illustrated with photographs from the era and design entries from the memorial competition, A Rift in the Earth is timed to appear alongside Ken Burns's eagerly anticipated PBS documentary, The Vietnam War. “The memorial appears as a rift in the earth, a long polished black stone wall, emerging from and receding into the earth."—Maya Lin "I see the wall as a kind of ocean, a sea of sacrifice. . . . I place these figures upon the shore of that sea." —Frederick Hart