"Rienzi, Last of the Roman Tribunes" – Bulwer-Lytton has created a true masterpiece that inspired none other than the great Wagner to create his opera titled "Rienzi." Set during the Italian Renaissance period, in the 14th century, the story depicts the rise and fall of Rienzi, the beloved last Tribune of Rome and his lovely wife Nina. Intrigue dog this great man at every stage and backstabbers are always around the corner, but Reinzi towers above them all. However, his formidable nemesis, Walter de Montreal, will not let him go that easily…

"The Last Days of Pompeii" - Pompeii, A.D. 79. Athenian nobleman Glaucus arrives in the bustling and gaudy Roman town and quickly falls in love with the beautiful Greek Ione. Ione's former guardian, the malevolent Egyptian sorcerer Arbaces, has designs on Ione and sets out to destroy their budding happiness. But will he succeed in his evil plot? Or, will the cataclysmic destruction of the city by the eruption of Mount Vesuvius be the end of all? And, what will happen to the love story of Glaucus and Ione? Read on!_x000D_ "Rienzi, Last of the Roman Tribunes" – Bulwer-Lytton has created a true masterpiece that inspired none other than the great Wagner to create his opera titled "Rienzi." Set during the Italian Renaissance period, in the 14th century, the story depicts the rise and fall of Rienzi, the beloved last Tribune of Rome and his lovely wife Nina. Intrigue dog this great man at every stage and backstabbers are always around the corner, but Reinzi towers above them all. However, his formidable nemesis, Walter de Montreal, will not let him go that easily..._x000D_ _x000D_ _x000D_

I began this tale two years ago at Rome. On removing to Naples, I threw it aside for "The Last Days of Pompeii," which required more than "Rienzi" the advantage of residence within reach of the scenes described. The fate of the Roman Tribune continued, however, to haunt and impress me, and, some time after "Pompeii" was published, I renewed my earlier undertaking. I regarded the completion of these volumes, indeed, as a kind of duty;—for having had occasion to read the original authorities from which modern historians have drawn their accounts of the life of Rienzi, I was led to believe that a very remarkable man had been superficially judged, and a very important period crudely examined. (See Appendix, Nos. I and II.) And this belief was sufficiently strong to induce me at first to meditate a more serious work upon the life and times of Rienzi. (I have adopted the termination of Rienzi instead of Rienzo, as being more familiar to the general reader.—But the latter is perhaps the more accurate reading, since the name was a popular corruption from Lorenzo.) Various reasons concurred against this project—and I renounced the biography to commence the fiction. I have still, however, adhered, with a greater fidelity than is customary in Romance, to all the leading events of the public life of the Roman Tribune; and the Reader will perhaps find in these pages a more full and detailed account of the rise and fall of Rienzi, than in any English work of which I am aware. I have, it is true, taken a view of his character different in some respects from that of Gibbon or Sismondi. But it is a view, in all its main features, which I believe (and think I could prove) myself to be warranted in taking, not less by the facts of History than the laws of Fiction. In the meanwhile, as I have given the facts from which I have drawn my interpretation of the principal agent, the reader has sufficient data for his own judgment.