THE STORY: A disastrous New Orleans wedding rehearsal dinner is the latest in a series of unfortunate events that befall the Clay brothers in Beth Henley's boisterous and bittersweet new comedy. Daddy's in jail for fraud, Uncle Baites has taken up

With roots in the American South, Beth Henley (b. 1952) has for four decades been a working playwright and screenwriter. Winner of the Pulitzer Prize in 1981 at the age of twenty-eight, Henley so far has written twenty-five produced plays that are always original, usually darkly comic, and often experimental. In these interviews, Henley speaks of the plays, from her early crowd-pleasers, Crimes of the Heart and The Miss Firecracker Contest, to her more experimental plays, including The Debutante Ball and Control Freaks, to her brilliant and time-bending play, The Jacksonian. Henley is a master at writing about the duality of human experience—the beautiful and the grotesque, the cruel and the loving. This duality provokes in Henley both amazement and compassion. She discusses here not only her admiration for Chekhov and other influences, but also her process of bringing a play from notebooks of images and bits of dialogues through rumination, writing, and rewriting to rehearsals and previews. The interviews range from 1981, just before she won the Pulitzer Prize, to 2020 and cover nearly forty years of a creative life, which, as Henley remarks in the most recent interview, is “such a life worth living: to be in tune with the creative process.”

This book tackles that age old question of meaning and the Question of What is this thing called Go(o)d? by using the analogy of a tree. It first sets out to devise the seed of the research by giving some definitions of what the author thinks Go(o)d is. Or you might say Go(o)d's, reason for being. It's essence. Then the earliest sources of the Jesus story are examined. The roots. Finally, a big picture examination of history, the branches and canopy, reveals a theory with five related corruptions to the religious story.