Director Sam Peckinpah was just starting out when MGM released Ride the High Country in 1962. He was a new kind of director: young, brash, and in a hurry to help the Western "grow up" by treating it with adult themes. Ride the High Country was something new and different, a changing Western to match a changing West. Stars Randolph Scott and Joel McCrea were old hands at this sort of thing. Ride the High Country gave the two veteran actors one last job to do and a chance to go out with some dignity. Ride the High Country helped the genre mature and adapt to turbulent, changing times. It launched Peckinpah's career by invoking the themes of honor, loyalty, and compromised ideals, the destruction of the West and its heroes, and the difficulty of doing right in an unjust world--themes developed to their pinnacle in Peckinpah's later masterpiece, The Wild Bunch.

Explore the enduring influence of the Western – the quintessential American film genre – and its essential role in US and world culture. Follow the entire history of the Western, from its roots in the pulp novels of the early 20th century, through the serials of the silent era and the mid-century classics of John Ford and John Wayne, to the recent award-winning revisionist works, like Unforgiven and No Country for Old Men, that provide a more complex and nuanced take on history of the West. Perhaps more than any other pop culture genre, the Western allows us to view how Americans have seen themselves over the last 150 years. Build a foundational understanding of the genre with 5 introductory essays, exploring the development of the Western Mythos in the traditional Western, the heyday of the traditional Western in the post-WWII period, revisionist Westerns and the counterculture, race and identify, and the Western outside of the USA. Close to 100 encyclopedia entries examine one or more movies or television programs and show how their creation and plots demonstrate the overall evolution of the genre. Easily compare films and TV programs – from early genre favorites such as Gunsmoke to more recent releases like Django Unchained – with essential facts boxes accompanying each entry, with information on the director, studio, key actors, and box office receipts.

The work of Sam Peckinpah represents a high point in American cinema. This text is the first theoretical and critical attempt to place Peckinpah within the 2,000-year-old tradition of western tragedy. The tradition, enfolding the Greeks, Shakespeare and modern tragedians, is represented in Peckinpah's art in numerous ways, and the fact that he worked in the mode throughout his career distinguishes him from most American film directors. Films covered include Ride the High Country, Noon Wine, The Wild Bunch, Pat Garrett and Billy the Kid, and Bring Me the Head of Alfredo Garcia.

One of the greatest film directors America has produced, Sam Peckinpah revolutionized the way movies were made. In this detailed and insightful study, Bernard F. Dukore examines Peckinpah's fourteen feature films as a coherent body of work. He investigates the director's virtuosic editing techniques, thematic preoccupations that persist from his earliest to his last films, and the structure of his dramatic depiction of violence. He also addresses Peckinpah's cognizance of existentialism and the substantial traces this interest has left in the films. At the heart of Dukore's study is an extensive and detailed examination of Peckinpah's distinctive editing techniques. Focusing on representative sequences--including the breakout from the bank and the final battle in The Wild Bunch, the half-hour siege that concludes Straw Dogs, the killing of the title characters of Pat Garrett and Billy the Kid, and combat sequences in Cross of Iron--Dukore provides a shot-by-shot analysis that illuminates Peckinpah's mastery of pacing and mood. Sam Peckinpah's Feature Films demonstrates that Peckinpah's genius as a director and editor marks not only The Wild Bunch, Straw Dogs, and other classics but also his lesser-known feature films, even those that suffered substantial cuts at the hands of studio producers. Dukore's organic approach to the feature films reveals a highly unified body of work that remains a pointed commentary on power, violence, affection, and moral values.

One of the most controversial films of its time, The Wild Bunch is the epitome of the no-holds-barred filmmaking of the 1960s and 1970s. Since its 1969 release, it has come to be recognized not only as an iconic Western, but as one of the most important films in the American cinematic canon. Over the years a parade of filmmakers have tried to imitate its gut-punch effects but none have equaled it. The Wild Bunch revived the floundering career of volatile, self-destructive director Sam Peckinpah--it also hung on him the label "Bloody Sam." This book tells the complete story of the film's production, reception and legacy.

Two men retrace the notorious pair's footsteps, covering thousands of miles of hazardous country on horseback and discovering how little has changed from the saddle in the last 100 years Butch Cassidy and the Sundance Kid, the last of the legendary outlaws, were captured on daguerreotype, romanced in fiction, and immortalized on film by Paul Newman and Robert Redford. Simon Casson sets out on horseback to retrace the real-life footsteps of his boyhood heroes, covering 2,000 miles of the country's toughest and most treacherous terrain. Steeped in the lore of the Old West but lacking desert and mountain survival skills, Simon recruits ex-marine commando Richard Adamson. Together they grapple with hostile landscape, climatic extremes, vital supply shortages, and enormous personality clashes. Battling from one outlaw hideout to another and following trails sometimes only accessible by horseback, they are constantly taxed to the limit. In this dramatic account of their adventure, Simon and Richard also encapsulate the exciting and violent lives of the Wild Bunch 100 years ago, and providing an intimate and heartwarming picture of the rancher families who live and work this demanding land today.