The (I.T.I.P.) Interdimensional Time Imagination Portal, where your imagination can create a world that you can enter in by way of a portal. You set the year by a control. Limitations: 1. You can only stay in your Imagine created world for one week and then return back to your previous world you came from or not be able to come back from your imagined world ever. 2. There is a helmet that you carry in a bag that has a video recorder attached to it. You have to have this at all times it is what brings you back. 3. You are always mortal in your world you created from your imagination. You can die. Please be careful. The knowledge of the I.T.I.P. was given to Joe the one writing about the problems. Joe was giving the knowledge by a flying saucer or something while driving back on an interstate with a friend during the day. There are five test subjects that come back from their imagined world with their stories.

Radical subcultures in an unlikely place Told in personal interviews, this is the collective story of a punk community in an unlikely town and region, a hub of radical counterculture that drew artists and musicians from throughout the conservative South and earned national renown. The house at 309 6th Avenue has long been a crossroads for punk rock, activism, veganism, and queer culture in Pensacola, a quiet Gulf Coast city at the border of Florida and Alabama. In this book, residents of 309 narrate the colorful and often comical details of communal life in the crowded and dilapidated house over its 30-year existence. Terry Johnson, Ryan “Rymodee” Modee, Gloria Diaz, Skott Cowgill, and others tell of playing in bands including This Bike Is a Pipe Bomb, operating local businesses such as End of the Line Cafe, forming feminist support groups, and creating zines and art. Each voice adds to the picture of a lively community that worked together to provide for their own needs while making a positive, lasting impact on their surrounding area. Together, these participants show that punk is more than music and teenage rebellion. It is about alternatives to standard narratives of living, acceptance for the marginalized in a rapidly changing world, and building a sense of family from the ground up. Including photos by Cynthia Connolly and Mike Brodie, A Punkhouse in the Deep South illuminates many individual lives and creative endeavors that found a home and thrived in one of the oldest continuously inhabited punkhouses in the United States.

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