Richie Rich, the son of the world's wealthiest man, must stop a dishonest employee's attempt to take over Rich Enterprises.

Move over Uncle Scrooge! The richest character in comic book history is about to get his due. Harvey Comics' original creation Richie Rich, the Poor Little Rich Boy, represented the fantasies of every comic book-loving kid growing up in the 1960s and 70s. Now, Dark Horse is delighted to present the ultimate tribute to the boy who has everything - and we mean everything! This mega compilation of the essential Richie collects his earliest and most substantial stories for the first time ever.

Between the 1930s and the invention of the internet, American comics reached readers in a few distinct physical forms: the familiar monthly stapled pamphlet, the newspaper comics section, bubblegum wrappers, and bound books. From Gum Wrappers to Richie Rich: The Materiality of Cheap Comics places the history of four representative comics—Watchmen, Uncle Scrooge, Richie Rich, and Fleer Funnies—in the larger contexts of book history, children’s culture, and consumerism to understand the roles that comics have played as very specific kinds of books. While comics have received increasing amounts of scholarly attention over the past several decades, their material form is a neglected aspect of how creators, corporations, and readers have constructed meaning inside and around narratives. Neale Barnholden traces the unusual and surprising histories of comics ranging from the most acclaimed works to literal garbage, analyzing how the physical objects containing comics change the meaning of those comics. For example, Carl Barks’s Uncle Scrooge comics were gradually salvaged by a fan-driven project, an evolution that is evident when considering their increasingly expensive forms. Similarly, Watchmen has been physically made into the epitome of “prestigious graphic novel” by the DC Comics corporation. On the other hand, Harvey Comics’ Richie Rich is typically misunderstood as a result of its own branding, while Fleer Funnies uses its inextricable association with bubblegum to offer unexpectedly sophisticated meanings. Examining the bibliographical histories of each title, Barnholden demonstrates how the materiality of consumer culture suggests meanings to comics texts beyond the narratives.

Two boys are kidnapped from the same renowned family. A search spanning four years for the first boy is fruitless; the second boy is then taken. A rescue mission with world-wide implications ensues. When Jennifer’s child is kidnapped, she faces the consequences alone. After the event, her wealthy arms-dealer father secretly establishes and funds a Kidnap And Rescue Team (KART) for their local area in England. When the second family child along with a group of his friends is taken, the search for the missing children exposes an international child trafficking ring. Were the two separate kidnappings against the family a result of arms deals gone bad? And if the two kidnappings are connected—what happened to Jennifer’s child who vanished four years ago? The rescue becomes an international drama for KART when the missing children from the second kidnap are tracked to a high-end sex hotel in Cambodia. Will Jennifer's and her family’s far-reaching connections be enough to recover the children in the hotel?

Get ready for thrills and chills in this collection of stories taken from issues #44-47 of the Richie Rich Gems series! This collection reprints four new stories by Richie Rich's creator, Sid Jacobson, with art by long-time fan-favorite Ernie Colon! Each issue of Gems reprints digitally re-colored classic Richie Rich featuring stories about Rippy & Crashman, Ghosts & Haunted Castles, Pirates & Treasure, and Aliens & Robots! Plus, short stories from the all-new Richie Rich: Rich Rescue series!

In the Godfather Garden is the true story of the life of Richie “the Boot” Boiardo, one of the most powerful and feared men in the New Jersey underworld. The Boot cut his teeth battling the Jewish gang lord Abner Longy Zwillman on the streets of Newark during Prohibition and endured to become one of the East Coast’s top mobsters, his reign lasting six decades. To the press and the police, this secretive Don insisted he was nothing more than a simple man who enjoyed puttering about in his beloved vegetable garden on his Livingston, New Jersey, estate. In reality, the Boot was a confidante and kingmaker of politicians, a friend of such celebrities as Joe DiMaggio and George Raft, an acquaintance of Joseph Valachi—who informed on the Boot in 1963—and a sworn enemy of J. Edgar Hoover. The Boot prospered for more than half a century, remaining an active boss until the day he died at the age of ninety-three. Although he operated in the shadow of bigger Mafia names across the Hudson River (think Charles "Lucky" Luciano and Louis “Lepke” Buchalter, a cofounder of the Mafia killer squad Murder Inc. with Jacob “Gurrah” Shapiro), the Boot was equally as brutal and efficient. In fact, there was a mysterious place in the gloomy woods behind his lovely garden—a furnace where many thought the Boot took certain people who were never seen again. Richard Linnett provides an intimate look inside the Boot’s once-powerful Mafia crew, based on the recollections of a grandson of the Boot himself and complemented by never-before-published family photos. Chronicled here are the Prohibition gang wars in New Jersey as well as the murder of Dutch Schultz, a Mafia conspiracy to assassinate Newark mayor Kenneth Gibson, and the mob connections to several prominent state politicians. Although the Boot never saw the 1972 release of The Godfather, he appreciated the similarities between the character of Vito Corleone and himself, so much so that he hung a sign in his beloved vegetable garden that read “The Godfather Garden.” There’s no doubt he would have relished David Chase’s admission that his muse in creating the HBO series The Sopranos was none other than “Newark’s erstwhile Boiardo crew.”