This is the third edition of the first ever book to explore the exciting field of augmented reality art and its enabling technologies. The new edition has been thoroughly revised and updated, with 9 new chapters included. As well as investigating augmented reality as a novel artistic medium, the book covers cultural, social, spatial and cognitive facets of augmented reality art. It has been written by a virtual team of 33 researchers and artists from 11 countries who are pioneering in the new form of art, and contains numerous colour illustrations showing both classic and recent augmented reality artworks. Intended as a starting point for exploring this new fascinating area of research and creative practice, it will be essential reading not only for artists, researchers and technology developers, but also for students (graduates and undergraduates) and all those interested in emerging augmented reality technology and its current and future applications in art.

David Opdyke's massive collage This Land (as elucidated in this book by award-winning author Lawrence Weschler) presents a slow-burning satire of the American Dream as it blunders into the reality of climate change. This Land is an epic mural fashioned by New York artist David Opdyke out of vintage American postcards which he then treated with disconcerting painted interventions. What at first reads as a panoramic birdʼs-eye view of an idyllic alpine valley reveals itself, upon closer examination, to be an array of connected scenes and vignettes. Across more than five hundred postcards, each one portraying a distinct slice of idealized Americana (town squares, mountain highways, main streets and county seats), Opdykeʼs acerbic, emotionally jarring alterations gradually become evident. In this prophetic refashioning, forests are aflame, tornadoes torque from one card into the next, a steamboat gets swallowed up whole by some sort of new megafauna, frogs fall like Biblical hail from the sky. The human responses form a cacophony of desires and demands, panic and denial. Biplanes trail banners urging Repent Now!, others insist Legislative Action Would Be Premature, while still others advertise seats on an actual Ark. The book This Land affords readers a closer and closer viewing of Opdyke’s devastatingly sardonic take on our impending ecological future, one in turn enlivened by Lawrence Weschlerʼs vividly sly blend of artist profile and critical interpretation. Featuring introductory essays providing background on the artist and the project as a whole, This Land also divides the sprawling mural into eight sections to allow for a more intimate viewing. Interspersed among the detailed visual sections are insightful thematic essays by Lawrence Weschler and an afterword that serves as a stirring call to action by civil rights attorney Maya Wiley. Additionally, the book's jacket is printed on both sides, folding out to reveal the work in its full grandeur.

To his earlier articulated concept of anchoring--which connects a construction with the history of the ground, locale, and region--Holl adds the concept of intertwining, which is illuminated by sensory, perceptual, conceptual, and emotional experiences. Illustrates with drawings, plans, and photographs projects in Japan, Finland, Germany, Switzerland, Holland, Korea, and Norway. No index. Annotation copyright by Book News, Inc., Portland, OR