Alister Kershaw, Aldington's closest friend from 1947until his death in 1962, here presents ten trenchant and refreshing essays, not previously published in book form, by perhaps the last of the great literary critics to come to grips with the "jubilant illiteracy" of these times. In his highly personal and reflective Introduction, Kershaw discusses Aldington's deep involvement in life, the catholicity of his interests, and his con­siderable erudition, which gave his writing an unusual quality of spontaneity and eloquence.

One of the great World War I antiwar novels—honest, chilling, and brilliantly satirical Based on the author's experiences on the Western Front, Richard Aldington's first novel, Death of a Hero, finally joins the ranks of Penguin Classics. Our hero is George Winterbourne, who enlists in the British Expeditionary Army during the Great War and gets sent to France. After a rash of casualties leads to his promotion through the ranks, he grows increasingly cynical about the war and disillusioned by the hypocrisies of British society. Aldington's writing about Britain's ignorance of the tribulations of its soldiers is among the most biting ever published. Death of a Hero vividly evokes the morally degrading nature of combat as it rushes toward its astounding finish. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

For the first time all the war poems of Richard Aldington have been brought together. This collection is intended to reaffirm Aldington's position as a significant voice in the literature of the First World War.

Editor Zilboorg draws on the later (1929-1961) correspondence between the life-long friends (and one-time spouses) and seminal literary Modernists, Richard Aldington (1892-1962) and Hilda Doolittle (1886- 1961), to explore their personal and professional lives, their friendships, and topics which concerned them both, including sexuality and the role of literature in the modern world. Distributed by St. Martin's Press. Annotation copyright by Book News, Inc., Portland, OR

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This novel, a never before published Roman a clef by the famous imagist writer, H.D. (Hilda Doolittle), that explores H.D.'s love for women, is a lyrical recreation of the love and loss of her friend and first love, Frances Gregg, and of her later meeting with Bryher who was to become H.D.'s lifelong companion. Spanning the years from H.D.'s childhood in Pennsylvania to the birth of her daughter, Perdita, in 1919, this turbulent love story is set against the backdrop of World War I, H.D.'s involvement in early 20th century London literary circles, her brief engagement to American poet, Ezra Pound, and her shattered marriage to British novelist Richard Aldington. Paint it Today is H.D.'s most lesbian novel, a modern, homoerotic tale of passage which focuses almost entirely on the young heroine's search for the sister love which would empower her spiritually, creatively, and sexually. Cassandra Laity's introduction places H.D.'s love for the sexually magnetic, betraying Gregg and for the more nurturing and loyal Bryher in the context of the lesbian romanticism of early modern fiction. her annotations of all Greek references and literary quotations,m as well as, biographical facts represented in the text, provide nuance and detail to this engrossing work.