One night, Hani, a teacher on a small tropical island, suffers from a fit at a local festival. A man named Kelt with cold, beautiful copper eyes and a strong body offers to help her. Even though she swore she’d never love again, Hani feels her heart throbbing fast. She’s the princess of Moraz, who had to leave her country after she helped commit a shameful crime. With such a secret, such a past, she doesn’t have the right to love anyone…※This work is originally colored.

The Curriculum: Whose Internationalization? asks a series of important questions in the re-examination of the internationalization of curriculum studies. It reflects the work of the Internationalization of Curriculum Studies Task Force - created at the American Association for the Advancement of Curriculum Studies annual meeting in New Orleans in 2011 - in the context of new theoretical avenues such as the Itinerant Curriculum Theory (ICT) to help address issues related to the problematic nature of internationalization and globalization.

It is claimed that at Treblinka camp, up to 3,000,000 Jews were murdered in 1942 and 1943. The weapons used were allegedly either stationary and/or mobile gas chambers, poison gases of both fast acting and slow acting varieties, unslaked lime, superheated steam, electricity, diesel exhaust fumes... This thorough study exposes the Treblinka hoax...

Sir Robert Warburton (1842-99) was a British army officer who served for 18 years as the political officer, or warden, of the Khyber Pass, the most important of the mountain passes connecting Afghanistan and present-day Pakistan. He was born in Afghanistan, the son of a British officer and his wife, a noble Afghan woman who was the niece of Amir Dost Mohammad Khan. Warburton was educated in England, commissioned an officer, and served at posts in British India and in Abyssinia (present-day Ethiopia) before being appointed, in 1879, to his post in the Khyber. Home to the fiercely independent Pushtun Afridi people who resisted external control, the pass frequently had been blocked by the Afridis or by fighting among the hill tribes. Warburton is credited with keeping the frontier peaceful and the pass open, mainly though diplomacy rather than force. He drew upon his Afghan background and his fluent Persian and Pushto to gradually win the trust of tribesmen whose traditions made them deeply suspicious of outsiders. In August 1897, one month after Warburton's retirement, unrest broke out among the Afridis, who seized the pass and held it for several months. Warburton was called back into service and participated in the Tirah expedition of 1897-98, in which Anglo-Indian forces reopened the pass. Warburton was especially proud of the role played in the expedition by the Khyber Rifles, a paramilitary force recruited from Afridi tribesmen that he had raised and commanded. Eighteen Years in the Khyber, 1879-1898 is Warburton's account of his education and career. It touches upon virtually every individual and event that played a role in relations between Afghanistan and British India during the last quarter of the 19th century. Long in poor health, Warburton returned to England and died before the book was completed. Posthumously published, it is illustrated with a number of striking photographs and includes a detailed fold-out map of the Khyber.

In this richly illustrated volume, Paul Binski provides an absorbing account of the social, theological, and cultural issues involved in death and dying in Europe from the end of the Roman Empire to the early sixteenth century. He draws on textual, archaeological, and art historical sources to examine pagan and Christian attitudes toward the dead, the aesthetics of death and the body, burial ritual, and mortuary practice. Illustrated throughout with fascinating and sometimes disturbing images, Binski's account weaves together close readings of a variety of medieval thinkers. He discusses the impact of the Black Death on late medieval art and examines the development of the medieval tomb, showing the changing attitudes toward the commemoration of the dead between late antiquity and the late Middle Ages. In one chapter, Binski analyzes macabre themes in art and literature, including the Dance of Death, which reflect the medieval obsession with notions of humility, penitence, and the dangers of bodily corruption. In another, he studies the progress of the soul after death through the powerful descriptions of Heaven, Hell, and Purgatory in Dante and other writers and through portrayals of the Last Judgment and the Apocalypse in sculpture and large-scale painting.

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