This is an essential guide for those taking either the RIBA Conservation Register Course or another building conservation course. Taking as its starting point the ICOMOS Education and Training Guidelines, the internationally-recognised set of criteria, this book explores everything you need to know when undertaking projects that involve architectural conservation. This is the only book that deals systematically with the ICOMOS Guidelines, written by RIBA course tutors, bringing their extensive expertise to the table, with their varied and practical experience in the public, private and academic sectors. With guidance that can applied both in the UK and internationally, and covering the essential aspects of climate change and retrofit, this is a must-have handbook.

This is an essential guide for those taking either the RIBA Conservation Register Course or another building conservation course. Taking as its starting point the ICOMOS Education and Training Guidelines, the internationally-recognised set of criteria, this book explores everything you need to know when undertaking projects that involve architectural conservation. This is the only book that deals systematically with the ICOMOS Guidelines, written by RIBA course tutors, bringing their extensive expertise to the table, with their varied and practical experience in the public, private and academic sectors. With guidance that can applied both in the UK and internationally, and covering the essential aspects of climate change and retrofit, this is a must-have handbook.

Conservation is part of a brand new series providing must-read practical guidance to running efficient and successful projects using the new RIBA Plan of Work 2013. Each guide takes a particular angle – in this case the author guides you through working on a conservation project - and explains the essential activities required at each stage. Concise and easy to use with a consistent format these guides provide the ultimate quick reference support at your desk or on-site. This is an authoritative ‘how to’ full of pragmatic advice, examples and in-text features such as ‘hints and tips’ that illuminate best practice and clever solutions. Designed to be used on all projects – large and small – and across all types of procurement, they are task rather than role-oriented acknowledging that a variety of people take on these responsibilities. They are also invaluable for architectural students at Part 3 who are getting to grips with the realities of practice.

There are over half a million listed buildings in Britain, conservation areas can be found in every borough, and a large proportion of our housing stock pre-dates 1914. So, whether in extending a listed house, reordering a local church, or converting an historic warehouse, most architects will work with historic buildings at some point in their career – even if they are not a specialist conservation architect. An Introduction to Architectural Conservation introduces non-specialist architects to the principles behind legislation concerning historic buildings. It will help them understand the practicalities of this legislation, the aims and objectives of Conservation Offices, Statutory Amenity Societies and other guardians of our heritage. With these skills, readers can advise clients more accurately, make successful listed building applications, and ensure their interventions are sensitive, appropriate and effective. An Introduction to Architectural Conservation is also a practical guide to good working practice: taking readers through the process of preparing a listed building application, preparing a suitable tender package and administering the contract. .

The built environment has the potential to have a major impact on biodiversity, not least with the increasingly demanding requirements to design more energy efficient and airtight buildings, leaving less space for species to inhabit. The construction industry has an important role to play in ensuring that buildings are designed and refurbished in a way in which biodiversity can be enhanced. Through written guidance and architectural drawings, this book advises on how to incorporate provision for biodiversity within developments. With sections on different building-reliant species, general principles for design, ready-made products that be incorporated into designs, and legislation, policy and regulations, this book is an invaluable resource for all architects, ecologists and anyone involved in designing or briefing for biodiversity in buildings.

This book is a celebration of good new design for old buildings and the SPAB philosophy that good new architecture can sit happily alongside old and is preferable to pastiche. Endorsing the value of architects who are engaged to work in the historic environment, this book explores design, materials and technical considerations in creating the best low energy, ecological and sustainable retrofits. It has never been more important to understand how old buildings can be adapted to make them useful and sustainable in the future. Showcasing the best examples of imaginative design and best practice, this book illustrates how old buildings can be made sustainable through the best new design and puts these design exemplars into a historical and philosophical context. With illustrative case studies and interviews throughout, including formal buildings, churches, domestic buildings, commercial, industrial and agricultural from all periods in the UK, New Design for Old Buildings provides essential guidance on good, imaginative new design for old buildings.

This is your essential one stop shop for information on starting and running a practice. Case studies and advice from practitioners, big and small, run alongside outlines of all the key topics, to give you an insight into the problems and challenges others have faced when setting up a design business. Accessible and informative, this handbook is the ideal first point of reference when starting a practice. Architects have many different reasons for setting up in practice; equally, there are many ways of running your own business. This handbook helps you consider whether or not you should set up on your own, examining issues such as financing, office space, recruitment, IT and workingo ut a business plan. Some architects want to stay small, while others have ambitions to grow into large businesses. Some grow big accidentally. And then there are those who pick and choose their work carefully, and even turn down undesirable contracts, while others will grab at everything possible. This book woudl explore these different models and illustrate how different kinds of practice develop into successful businesses. Importantly, the book will stress that these issues are crucial - you may be the best designer in the world, but unless your business is well managed you will fail. On the other hand, some successful architects spend a lot of time looking for new work and attending to management issues, rarely finding the time for design work. This book would illustrate how architects have struck a balance between these two extremes.