This book offers the first in-depth examination of a distinctive and community-based tradition rich with larger-than-life heroes, vivid occupational language, humor, and unblinking encounters with birth, death, nature, and animals in the poetry.

What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.

A collection of Michael Whitaker cowboy poetry, songs, and philosophy depicting the glories of blue moons, western skies, mountain trails, and countrysides. In addition, poignant vignettes portray friends and strangers he met on his travels. And he includes a touch of romance. Whitaker aimed to preserve the age old traditions of cowboy history and lifestyle through his rhyming stories and musings. He wrote of family, home, friends old and new, and life’s simple pleasures through word paintings. Performed before American northwest audiences as part of the three-some group, the Rockin’ HW, these poems are illustrated by beautiful original photography.

Few American entertainers have had the explosive impact, wide-ranging appeal, and continuing popularity of country music star Hank Williams. Such Williams standards as "Your Cheatin' Heart," "I'm So Lonesome I Could Cry," "Jambalaya," and "I Saw the Light" have all entered the pantheon of great American song. Roger Williams recounts the story of Hank's rise from impoverished Southern roots, his coming of age during and after World War II, his meteoric climb to national acclaim and star status on the Grand Ole Opry, his chronic bouts with alcoholism and the alienation it created in those he loved and sang for, and finally his tragic death at twenty-nine and subsequent emergence as a folk hero. The book also features a thorough discography compiled by Bob Pinson of the Country Music Foundation.