Rhythms, Rhymes and Inspirational Chimes offers a delightful way to stay in tune with how God sees us each day. An individual story is told in every writing and poem, including the powerful Introduction. Enjoy the rhythmic flow of words that can soothe your soul and make you whole. Smile as you read "I Wonder-Did Moses Laugh?" or reminisce with the flow of "An Evening of Remembrance". Be encouraged and determined with "Can You Dare to Go through Life" and ponder the condition of society with "Faxing, Waxing, and Income Taxing". Read these and many, many, more as your spirit comes alive with laughter as you engulf yourself in "My Money is Funny", "When Texting Was a Book", and "What's Sunday without Chicken". Let this powerful spiritual weapon get you up, get you busy, and get you crackin'-all in the name of Jesus! So take the plunge, dive in and become a partaker in one of the most refreshing experiences a book can offer; for such a time as this. Enjoy!

Reprint of the original, first published in 1882.

This fourth volume of the Iconicity series is like its predecessors devoted to the study of iconicity in language and literature in all its forms. Many of the papers turn the notion of iconicity ‘inside-out’, some suggesting that ‘less-is-more’; others focus on the cognitive factors ‘inside’ the brain that are important for the iconic phenomena that are produced in the ‘outside’ world. In addition this volume includes a paper related to iconicity in music and its interaction with language. Other papers range from the theoretical issues involved in the evolution of language, to those that offer many ‘inside-out’ claims, such as claiming that nouns are derived from pronouns, and as such should more properly be called ‘pro-pronouns’. Also, this volume includes perhaps the first English-language analysis of the iconic aspects of sound symbolism in a prayer from the Koran. This is a truly interdisciplinary collection that should turn some of the notions of iconicity in language and literature ‘outside-in’ and ‘inside-out’.