Grundy tells his version of the saga of Sigifrith's heroic ancestry and of the cursed treasure guarded by the dragon Fadhmir. touching on Sigifrith's coming of age, gaining a steed and a sword worthy of a hero, and of his deeds including revenge for his father's death, and slaying the dragon Fadhmir while taking possession of the great treasure. Ending in his tragic destiny as it forces him into an impossible choice between two women: Gundrun, a powerful king's daughter, his betrothed; and Brunichild, who believes herself to be his destined soulmate.

Based on the story of Siegfried the dragon slayer, and the fall of the Burgundian Royal House, against a background of brawling gods and bawdy goddesses, tempestuous heroes and determined heroines, black-hearted villains, and sorcerers and trolls. 'Rhinegold' is a combination of history and legend, family drama and heroic battles.

Das Rheingold, the opening of Wagner's four-part The Ring of the Nibelung, stands out as more genteel and picturesque than the others. But it immediately establishes the huge scale of the overall work, and the extraordinary musical language that will be displayed throughout. It is a miracle of musical history that Wagner's 1850 conception could be brought to completion, in an organic whole, some twenty-five years later. Stewart Spencer discusses the way in which Wagner fuses genuine mythology with his own invention and John Deathridge places the opera in the context of The Ring and its century.Contents: The Beginning of 'The Ring', John Deathridge; 'The Rhinegold' - The Music, Roger North; Language and Sources of 'The Ring', Stewart Spencer; Das Rheingold: Poem by Richard Wagner; The Rhinegold: English translation by Andrew Porter