Rhetorics of Reason and Desire traces the appearance of rhetoric in key literary works from classical times to the Middle Ages, focusing on the reception and transformation of Ciceronian rhetoric in Vergil's Aeneid, Augustine's Confessions and On Christian Doctrine, and the lyrics of the early troubadours.

In Sweet Reason, Susan Wells presents a rhetorical model for understanding the diverse discourses of modernity. Wells describes modernity as a system of texts which we are only now learning to read. In order to comprehend how these texts organize our world, she argues, we must grasp how reason and desire interact to create meaning. To this end, Wells offers a rhetoric based on an understanding of meaning as intersubjectivity created through the work of language. Wells elaborates this "rhetoric of intersubjectivity" by drawing on both Jürgen Habermas's concept of communicative rationality and on Jacques Lacan's theory of desire, affirming the significance of reason and desire for rhetorical studies. From scientific articles to classroom altercations, contemporary government hearings to Mantaigne's Essays, Wells organizes several using rhetoric as an art, and she shows how rhetoric operates in practice. Susan Wells is associate professor of English at Temple University.

In Sweet Reason, Susan Wells presents a rhetorical model for understanding the diverse discourses of modernity. Wells describes modernity as a system of texts which we are only now learning to read. In order to comprehend how these texts organize our world, she argues, we must grasp how reason and desire interact to create meaning. To this end, Wells offers a rhetoric based on an understanding of meaning as intersubjectivity created through the work of language. Wells elaborates this "rhetoric of intersubjectivity" by drawing on both Jürgen Habermas's concept of communicative rationality and on Jacques Lacan's theory of desire, affirming the significance of reason and desire for rhetorical studies. From scientific articles to classroom altercations, contemporary government hearings to Mantaigne's Essays, Wells organizes several using rhetoric as an art, and she shows how rhetoric operates in practice. Susan Wells is associate professor of English at Temple University.

Desire is a central concept in Aristotle's ethical and psychological works, but he does not provide us with a systematic treatment of the notion itself. This book reconstructs the account of desire latent in his various scattered remarks on the subject and analyses its role in his moral psychology. Topics include: the range of states that Aristotle counts as desires (orexeis); objects of desire (orekta) and the relation between desires and envisaging prospects; desire and the good; Aristotle's three species of desire: epithumia (pleasure-based desire), thumos (retaliatory desire) and boulêsis (good-based desire - in a narrower notion of 'good' than that which connects desire more generally to the good); Aristotle's division of desires into rational and non-rational; Aristotle and some current views on desire; and the role of desire in Aristotle's moral psychology. The book will be of relevance to anyone interested in Aristotle's ethics or psychology.

Plato is a well-known critic of rhetoric, but in the Phaedrus, he defends the art of rhetoric, arguing that it can be perfected with the aid of philosophy. In Reason, Rhetoric, and the Philosophical Life in Plato’s Phaedrus, Tiago Lier provides a new and comprehensive interpretation of this important dialogue. He argues that Plato’s defense of rhetoric is based on philosophy’s ethical nature, and that philosophy is a way of life rather than a body of knowledge. For Plato, an essential element of both rhetoric and the philosophical life is that every use of speech, whether to persuade or to learn, depends upon the psychology of the speaker and the audience. Lier shows how Socrates develops a dynamic account of this psychology over the course of the dialogue in order to help Phaedrus understand how he is personally engaged in, and shaped by, every act of communication. Only when we grasp the tension between eros and logos will we discover the limitations of the art of rhetoric and that rhetoric alone cannot show us what we truly desire. Instead, Lier concludes, the greatest power of speech is to reveal to ourselves our own desires and understanding of our place in the world. This continual self-reflection is the philosophical life around which Socrates and Plato fashion their distinctive forms of rhetoric. The insights developed in this book will be of particular relevance to students and scholars of ancient philosophy, classics, and rhetorical theory, but it will also be of interest to those working in political science, literary studies, and communication studies.

"In this major contribution to philosophy and rhetoric, Eugene Garver shows how Aristotle integrates logic and virtue in the Rhetoric. Garver raises and answers a central question: can there be a civic art of rhetoric, an art that forms the character of citizens? By demonstrating the importance of the Rhetoric for understanding current philosophical problems of practical reason, virtue, and character, Garver has written the first work to treat the Rhetoric as philosophy and to connect its themes with parallel problems in Aristotle's Ethics and Politics. This groundbreaking study will help put rhetoric at the center of investigations of practice and practical reason."--Page 4 of cover.

'Moral character, so to say, constitutes the most effective means of proof.' In ancient Greece, rhetoric was at the centre of public life. Many writers attempted to provide manuals to help improve debating skills, but it was not until Aristotle produced The Art of Rhetoric in the 4th century bc that the subject had a true masterpiece. As he considered the role of emotion, reason, and morality in speech, Aristotle created essential guidelines for argument and prose style that would influence writers for more than two millennia. Brilliantly explained and carefully reasoned, The Art of Rhetoric remains as relevant today as it was in the assemblies of ancient Athens.