A panoramic explanation of "civic tourism" and the shaping of a national identity At the same time a reading of Kenneth Burke and of tourist landscapes in America, Gregory Clark's new study explores the rhetorical power connected with American tourism. Looking specifically at a time when citizens of the United States first took to rail and then highway to become sightseers in their own country, Clark traces the rhetorical function of a wide-ranging set of tourist experiences. He explores how the symbolic experiences Americans share as tourists have helped residents of a vast and diverse nation adopt a national identity. In doing so he suggests that the rhetorical power of a national culture is wielded not only by public discourse but also by public experiences. Clark examines places in the American landscape that have facilitated such experiences, including New York City, Shaker villages, Yellowstone National Park, the Lincoln Highway, San Francisco's 1915 Panama-Pacific International Exposition, and the Grand Canyon. He examines the rhetorical power of these sites to transform private individuals into public citizens, and he evaluates a national culture that teaches Americans to experience certain places as potent symbols of national community. Invoking Burke's concept of "identification" to explain such rhetorical encounters, Clark considers Burke's lifelong study of symbols—linguistic and otherwise—and their place in the construction and transformation of individual identity. Clark turns to Burke's work to expand our awareness of the rhetorical resources that lead individuals within a community to adopt a collective identity, and he considers the implications of nineteenth- and twentieth-century tourism for both visual rhetoric and the rhetoric of display.

From the colonial period to the present, the Mississippi River has impacted religious communities from Minnesota to the Gulf of Mexico. Exploring the religious landscape along the 2,530 miles of the largest river system in North America, the essays in Gods of the Mississippi make a compelling case for American religion in motion—not just from east to west, but also from north to south. With discussion of topics such as the religions of the Black Atlantic, religion and empire, antebellum religious movements, the Mormons at Nauvoo, black religion in the delta, Catholicism in the Deep South, and Johnny Cash and religion, this volume contributes to a richer understanding of this diverse, dynamic, and fluid religious world.

Regionalism is a term that has been used to describe many different kinds of phenomena, including political, geographical, architectural, and literary. This collection examines "rhetorical regionalism," or the relationships we have to physical regions and the idea of regionality. Regional rhetorics are more than simply the fact of local conditions in certain spaces. They are the ways people produce feelings of belonging and discourses of normalcy within those spaces. The authors in this collection bypass familiar narratives of nationality and localism in order to imagine regions as interfaces that help us to negotiate everyday life. Regions are more than physical spaces, therefore. Regional rhetorics can provide different narratives in order to help us invent new kinds of connections to place and publics. They give us new descriptions of relationships, a power that merges together the tectonic (spatial) and the architectonic (discursive) impulses of rhetoric. The book was originally published as a special issue of Rhetoric Society Quarterly.

The Black community of Atlanta, a city once heralded as the “Black Mecca of the South,” is currently under threat of dislocation by cultural gentrification. Amid the city’s urban renaissance, residents face rising property values, taxes, and rents, as well as the more insidious loss of a collective identity and belonging. In Ghosts of Atlanta: Cultural Gentrification of the Black Mecca, author Rhana Gittens Wheeler examines the fading echoes of African American memory and historical narratives in Atlanta. As encroaching investors and business owners enter historically Black areas, many have sought to rebrand entire neighborhoods, making those spaces more palatable to would-be gentrifiers and less recognizable to former residents. Exploring material sites of meaning, including monuments, museums, art exhibitions, and more, Gittens Wheeler unearths tensions between the city’s proud legacy as a hub of political and economic equality for Black Americans and the unsettling reality of cultural displacement. Gittens Wheeler interrogates and critiques recent developments in the city, including the Atlanta BeltLine, craft breweries, and attractions that romanticize the civil rights movement. Drawing inspiration from literary giants like Ralph Ellison and Toni Morrison, as well as contemporary voices like 2 Chainz and T.I., Gittens Wheeler weaves together elements of rhetorical criticism, archival studies, and interviews to confront pressing questions. What happens when symbols of cultural memory and identity are uprooted? How do residents grapple with the erasure of their narratives, forced to feel unwelcome in their own neighborhoods? In addressing these questions, Gittens Wheeler uncovers the complex dynamics of shared spaces, exposing both the pain of displacement and the possibility of redemption. A reverberating call to action, Ghosts of Atlanta: Cultural Gentrification of the Black Mecca demonstrates that Black stories, inscribed in space, are necessary for bringing a moral reckoning to the heart of America’s national identity.

A new understanding of visual rhetoric offers unique insights into issues of representation and identity

Being a faithful disciple of Christ means having seasoned speech: practicing a rhetoric that beneficially and persuasively imparts the surprising truth of the gospel. James Beitler seeks to renew interest in and hunger for an effective Christian rhetoric by closely considering the work of five beloved Christian communicators: C. S. Lewis, Dorothy L. Sayers, Dietrich Bonhoeffer, Desmond Tutu, and Marilynne Robinson.

Democracy is venerated in US political culture, in part because it is our democracy. As a result, we assume that the government and institutions of the United States represent the true and right form of democracy, needed by all. This volume challenges this commonplace belief by putting US politics in the context of the Americas more broadly. Seeking to cultivate conversations among and between the hemispheres, this collection examines local political rhetorics across the Americas. The contributors—scholars of communication from both North and South America—recognize democratic ideals as irreducible to a single national perspective and reflect on the ways social minorities in the Western Hemisphere engage in unique political discourses. The essays consider current rhetorics in the United States on American exceptionalism, immigration, citizenship, and land rights alongside current cultural and political events in Latin America, such as corruption in Guatemala, women’s activism in Ciudad Juárez, representation in Venezuela, and media bias in Brazil. Through a survey of these rhetorics, this volume provides a broad analysis of democracy. It highlights institutional and cultural differences in the Americas and presents a hemispheric democracy that is both more pluralistic and more agonistic than what is believed about the system in the United States. In addition to the editors, the contributors include José Cortez, Linsay M. Cramer, Pamela Flores, Alberto González, Amy N. Heuman, Christa J. Olson, Carlos Piovezani, Clara Eugenia Rojas Blanco, Abraham Romney, René Agustín de los Santos, and Alejandra Vitale.