Examines representations of sexual violence in modern Hebrew literature, focusing on the ways in which sexual aggression relates to Zionism, gender, ethnicity, and disability.

Rhetorica in Motion is the first collected work to investigate feminist rhetorical research methods in both contemporary and historical contexts. The contributors analyze the decision-making processes and methodologies employed in deciphering the origins, meanings, theories, workings, and manifestations of feminist rhetoric.The volume examines familiar themes, such as archival, literary, and online research, but also looks to other areas of rhetoric, such as disability studies; gerontology/aging studies; Latina/o, queer, and transgender studies; performance studies; and transnational feminisms in both the United States and larger geopolitical spaces. Rhetorica in Motion incorporates previous views of feminist research, outlines a set of principles that guides current methods, and develops models for undertaking future inquiry, including working as individuals or balancing the dynamics of group research. The text explores how feminist research embodies what has come before and reflects what researchers, institutions, and instructors bring to it and what it brings to them. Underlying the discovery of this volume is the understanding that feminist rhetoric is in constant motion in a dynamic that resists definition.

An "amazing"* debut historical novel (*Ariana Franklin, national betselling author of Grave Goods) Paris, 1686: When The Bishop of Marseilles discovers that his young cousin Charles du Luc, former soldier and half-fledged Jesuit, has been helping heretics escape the king's dragoons, the bishop sends him far away-to Paris, where Charles is assigned to assist in teaching rhetoric and directing dance at the prestigious college of Louis le Grand. Charles quickly embraces his new life and responsibilities. But on his first day, the school's star dancer disappears from rehearsal, and the next day another student is run down in the street. When the dancer's body is found under the worst possible circumstances, Charles is determined to find the killer in spite of being ordered to leave the investigation.

Head, Eyes, Flesh, and Blood is the first comprehensive study of a central narrative theme in premodern South Asian Buddhist literature: the Buddha's bodily self-sacrifice during his previous lives as a bodhisattva. Conducting close readings of stories from Sanskrit, Pali, Chinese, and Tibetan literature written between the third century BCE and the late medieval period, Reiko Ohnuma argues that this theme has had a major impact on the development of Buddhist philosophy and culture. Whether he takes the form of king, prince, ascetic, elephant, hare, serpent, or god, the bodhisattva repeatedly gives his body or parts of his flesh to others. He leaps into fires, drowns himself in the ocean, rips out his tusks, gouges out his eyes, and lets mosquitoes drink from his blood, always out of selflessness and compassion and to achieve the highest state of Buddhahood. Ohnuma places these stories into a discrete subgenre of South Asian Buddhist literature and approaches them like case studies, analyzing their plots, characterizations, and rhetoric. She then relates the theme of the Buddha's bodily self-sacrifice to major conceptual discourses in the history of Buddhism and South Asian religions, such as the categories of the gift, the body (both ordinary and extraordinary), kingship, sacrifice, ritual offering, and death. Head, Eyes, Flesh, and Blood reveals a very sophisticated and influential perception of the body in South Asian Buddhist literature and highlights the way in which these stories have provided an important cultural resource for Buddhists. Combined with her rich and careful translations of classic texts, Ohnuma introduces a whole new understanding of a vital concept in Buddhists studies.

Rhetoric Across Borders features a select representation of 27 essays and excerpts from the “In Conversation” panels at the Rhetoric Society of America’s 2014 conference on “Border Rhetorics.”

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.