The public discussion of sexuality in America first came about in the 1820s. Predictably, Americans diverged considerably on how to approach the controversial topic. Folk wisdom, current scientific beliefs, and the teachings of evangelical Christianity all shaped the antebellum conversation about the moral, social and physical implications of sex. In her introduction, Professor Horowitz takes American sexual history beyond the boundaries of the twentieth century and elucidates the complex issues surrounding nineteenth-century debates and dialogue. Helpful headnotes contextualize this colorful selection of hard-to-find documents, which includes medical articles, religious pamphlets, advertisements and propaganda, and popular literature. Contemporary illustrations, a chronology, and a bibliography foster students’ understanding of antebellum sexual knowledge.

The public discussion of sexuality in America first came about in the 1820s. Predictably, Americans diverged considerably on how to approach the controversial topic. Folk wisdom, current scientific beliefs, and the teachings of evangelical Christianity all shaped the antebellum conversation about the moral, social and physical implications of sex. In her introduction, Professor Horowitz takes American sexual history beyond the boundaries of the twentieth century and elucidates the complex issues surrounding nineteenth-century debates and dialogue. Helpful headnotes contextualize this colorful selection of hard-to-find documents, which includes medical articles, religious pamphlets, advertisements and propaganda, and popular literature. Contemporary illustrations, a chronology, and a bibliography foster students understanding of antebellum sexual knowledge.

Centering the experiences of women, this vivid social history examines Baltimore's prostitution trade and its evolution throughout the nineteenth century.

With this colorful collection of documents, Helen Lefkowitz Horowitz overturns the monolithic picture of Victorian sexual repression to reveal four contending views at play during the antebellum period: earthy American folk wisdom, the anti-flesh teachings of evangelical Christianity, moral reform grounded in science, and the utopian free love movement. Horowitz's introduction discusses how these diverse views shaped the antebellum conversation about the moral, social, and physical implications of sex and reflected the larger cultural and economic changes of this period of rapid industrialization and urban migration. Helpful headnotes contextualize this selection of hard-to-find documents, which includes scientific manuals, religious pamphlets, advertisements, and popular fiction. Contemporary illustrations, a chronology, and a bibliography foster students' understanding of antebellum sexual attitudes.

The claim that masturbation isn t good for you didn t just come out of nowhere. As April Haynes shows, a range of feminist reformers in nineteenth century America all agreed that the solitary vice caused untold suffering and death; that women and girls masturbated as frequently as did men and boys; that they did so because they lacked access to sexual information; and that therefore, female sex education would save lives. Haynes, in short shows that nascent feminists remade what might have been a puritanical crusade into a basis for envisioning their own sexual self-masterywith mixed results, for Haynes also tells the story of how, before the advent of sexology or even the professionalization of medicine, a great silent army of evangelical female reformers first popularized, then institutionalized, the normative sexual discourse of the nineteenth century."

Highlights the latest currents in Whitman scholarship and demonstrates how Whitman's work transforms discussions in literary studies.

From the New York Times bestselling author of Parable of the Sower and MacArthur “Genius” Grant, Nebula, and Hugo award winner The visionary time-travel classic whose Black female hero is pulled through time to face the horrors of American slavery and explores the impacts of racism, sexism, and white supremacy then and now. “I lost an arm on my last trip home. My left arm.” Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present. Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times). “Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.” —N. K. Jemisin Developed for television by writer/executive producer Branden Jacobs-Jenkins (Watchmen), executive producers also include Joe Weisberg and Joel Fields (The Americans, The Patient), and Darren Aronofsky (The Whale). Janicza Bravo (Zola) is director and an executive producer of the pilot. Kindred stars Mallori Johnson, Micah Stock, Ryan Kwanten, and Gayle Rankin.