Legendary screenwriting instructor and award-winning writer Paul Chitlik presents an easy-to-read, step-by-step process to take your script from first draft to submission draft. He reveals the hidden structure of screenplays, sequences, and scenes, as he guides you through the process of examining your draft, restructuring it, and populating it with believable, complex, and compelling characters. Along the way he outlines how to make your action leap off the page and your dialogue crackle. While the first edition was widely used in film school rewriting classes, it was also recommended as an introduction to screenwriting craft by a number of professors and professionals. Paul Chitlik has included, for the second edition, more examples, exercises, and applications for television, the web, and other media, using a wide range of citations in film, television, and the Internet to underline his approach.

In this thematic sequel to Gregory Benford’s award-winning bestseller Timescape, a history professor finds that he is able travel back to 1968, the year he was sixteen—here, he finds a slew of mentors with the same ability, including Robert Heinlein, Albert Einstein, and Philip K. Dick and becomes a successful Hollywood screenwriter until some wicked time travelers try to subvert him. It’s 2002, and Charlie, in his late forties, is a bit of a sad-sack professor of history going through an unpleasant divorce. While flipping the cassette of an audiobook he gets into a car accident with a truck, and wakes up, fully aware as his adult mind, in his sixteen-year-old body in 1968. Charlie does the thing we all imagine: he takes what he remembers of the future and uses it for himself in his present, the past. He becomes a screenwriter, anticipating the careers of Francis Ford Coppola and Steven Spielberg, and then, in a 1980s life of excess, he dies, and wakes up again in his bedroom at sixteen in 1968. Charlie realizes things he didn’t see the first time: that there are others like him, like Albert Einstein, Philip K. Dick, Robert Heinlein. In fact, there is a society of folks who loop through time to change the world for their agenda. Now, Charlie knows he has to do something other than be self-indulgent and he tries to change one of the events of 1968 in this clever thriller.

The refereed proceedings of the 14th International Conference on Rewriting Techniques and Applications, RTA 2003, held in Valencia, Spain in June 2003. The 26 revised regular papers and 6 system descriptions presented together with 3 invited contributions were carefully reviewed and selected from 61 submissions. All current aspects of rewriting are addressed.

From Hallingdal to Houston -- Hollywood on the Colorado -- Breaking away -- Highway to the danger zone -- Hollywood gothic -- One hit after another -- Batmania -- The man Hollywood trusts -- Conclusion

In Scripting Jesus, Michael White, famed scholar of early Christian history, reveals how the gospel stories of Jesus were never meant to be straightforward historical accounts, but rather were scripted and honed as performance pieces for four different audiences with four different theological agendas. As he did as a featured presenter in two award-winning PBS Frontline documentaries (“From Jesus to Christ” and “Apocalypse!”), White engagingly explains the significance of some lesser-known aspects of The New Testament; in this case, the development of the stories of Jesus—including how the gospel writers differed from one another on facts, points of view, and goals. Readers of Elaine Pagels, Marcus Borg, John Dominic Crossan, and Bart Ehrman will find much to ponder in Scripting Jesus.

"According to common wisdom, we all have a book inside of us. But how do you select and then write your most significant story--the one that helps you to evolve and invites pure creativity into your life, the one that people line up to read? In [this book], creative writing professor, sociologist, and popular fiction author Jessica Lourey guides you through the redemptive process of writing a healing novel that recycles and transforms your most precious resources--your own emotions and experiences"--Amazon.com.

This volume contains the proceedings of the Eighth International Workshop on Rewriting Logic and its Applications (WRLA 2010) that was held in Paphos, Cyprus, March 20–21, 2010, as a satellite workshop of the European Joint C- ferences on Theory and Practice of Software (ETAPS 2010). Rewriting logic is a natural semantic framework for representing conc- rency,parallelism,communicationandinteraction,aswellasbeing anexpressive (meta)logical framework for representing logics. It can then be used for spe- fying a wide range of systems and programming languages in various appli- tion ?elds. In recent years, several executable speci?cation languages based on rewriting logic (ASF+SDF, CafeOBJ, ELAN, Maude) have been designed and implemented. The aim of the WRLA workshop series is to bring together - searchers with a common interest in rewriting logic and its applications, and to give them the opportunity to present their recent works, discuss future research directions, and exchange ideas. Previous WRLA workshops were held in Asilomar (1996), Pont-a-Mousson ` (1998), Kanazawa (2000), Pisa (2002), Barcelona (2004), Vienna (2006), and Budapest (2008), and their proceedings have been published inElectronic Notes in Theoretical Computer Science. In addition, selected papers from WRLA 1996 have been published in a special issue of Theoretical Computer Science,and selected papers from WRLA 2004 appeared in a special issue of Higher-Order and Symbolic Computation.