The revolution of 1905 in the Russian-ruled Kingdom of Poland marked the consolidation of major new influences on the political scene. As he examines the emergence of a mass political culture in Poland, Robert E. Blobaum offers the first history in any Western language of this watershed period. Drawing on extensive archival research to explore the history of Poland's revolutionary upheavals, Blobaum departs from traditional interpretations of these events as peripheral to an essentially Russian movement that reached a climax in the Russian Revolution of 1917. He demonstrates that, although Polish independence was not formally recognized until after World War I, the social and political conditions necessary for nationhood were established in the years around 1905.

The revolution of 1905 in the Russian-ruled Kingdom of Poland marked the consolidation of major new influences on the political scene. As he examines the emergence of a mass political culture in Poland, Robert E. Blobaum offers the first history in any Western language of this watershed period. Drawing on extensive archival research to explore the history of Poland's revolutionary upheavals, Blobaum departs from traditional interpretations of these events as peripheral to an essentially Russian movement that reached a climax in the Russian Revolution of 1917. He demonstrates that, although Polish independence was not formally recognized until after World War I, the social and political conditions necessary for nationhood were established in the years around 1905.

Blobaum argues that, despite subsequent Russian repression, the revolution contributed to establishing the conditions for a modern civil society in Poland.

Translated by Cynthia Klohr After crushing the Polish Uprising in 1863–1864,Russia established a new system of administration and control. Imperial Russian Rule in the Kingdom of Poland, 1864–1915 investigates in detail the imperial bureaucracy’s highly variable relationship with Polish society over the next half century. It portrays the personnel and policies of Russian domination and describes the numerous layers of conflict and cooperation between the Tsarist officialdom and the local population. Presenting case studies of both modes of conflict and cooperation, Malte Rolf replaces the old, unambiguous “freedom-loving Poles vs. oppressive Russians” narrative with a more nuanced account and does justice to the complexity and diversity of encounters among Poles, Jews, and Russians in this contested geopolitical space. At the same time, he highlights the process of “provincializing the center,” the process by which the erosion of imperial rule in the Polish Kingdom facilitated the demise of the Romanov dynasty itself.

A Polish musician, a Jewish conductor, a secret choir, and the rescue of a trove of music from the Sachsenhausen concentration camp. On a cold October night in 1942, SS guards at the Sachsenhausen concentration camp violently disbanded a rehearsal of a secret Jewish choir led by conductor Rosebery d’Arguto. Many in the group did not live to see morning, and those who survived the guards’ reprisal were deported to Auschwitz-Birkenau just a few weeks later. Only one of its members survived the Holocaust. Yet their story survives, thanks to Aleksander Kulisiewicz. An amateur musician, he was not Jewish, but struck up an unlikely friendship with d’Arguto in Sachsenhausen. D’Arguto tasked him with a mission: to save the musical heritage of the victims of the Nazi camps. In Sing, Memory, Makana Eyre recounts Kulisiewicz’s extraordinary transformation from a Polish nationalist into a guardian of music and culture from the Nazi camps. Aided by an eidetic memory, Kulisiewicz was able to preserve for posterity not only his own songs about life at the camp, but the music and poetry of prisoners from a range of national and cultural backgrounds. They composed symphonies, organized clandestine choirs, arranged great pieces of music by illustrious composers, and gathered regularly over the course of the war to perform for one another. For many, music enabled them to resist, bear witness, and maintain their humanity in some of the most brutal conditions imaginable. After the war, Kulisiewicz returned to Poland and assembled an archive of camp music, which he went on to perform in more than a dozen countries. He dedicated the remainder of his life to the memory of the Nazi camps. Drawing on oral history and testimony, as well as extensive archival research, Eyre tells this rich and affecting human story of musical resistance to the Nazi regime in full for the first time.

A very readable and comprehensive overview that examines the realities of Jewish life while setting them in their political, economic, and social contexts.