Provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. This book is for the study of French literature and culture.

In nineteenth-century Europe the ruling elites viewed the theater as a form of communication which had enormous importance. The theater provided the most significant form of mass entertainment and was the only arena aside from the church in which regular mass gatherings were possible. Therefore, drama censorship occupied a great deal of the ruling class's time and energy, with a particularly focus on proposed scripts that potentially threatened the existing political, legal, and social order. This volume provides the first comprehensive examination of nineteenth-century political theater censorship at a time, in the aftermath of the French Revolution, when the European population was becoming increasingly politically active.

This second volume begins with a Section on the religion of the people. The clergy offered the liturgical services, sermons, evangelistic missions, and the offices sanctifying birth, marriage, and death; distinctions are made between what they intended and how their ministrations werepopularly interpreted and incorporated into the social order. Statistical soundings concerning the extent of religious practice and the degree of conviction involved are evaluated. Further chapters deal with processions, pilgrimages, and popular practices and superstitions, with hermits andconfraternities, with the impact of reading the Bible and other edifying literature in an age of increasing literacy. Finally comes a view of the twilight world of magic and sorcery. Throughout this Section the comments of theologians and thinkers of the Enlightenment are recorded, whether incoincidence or contradiction. The next section deals with the efficacy of the confessional and the role of the casuistry of the Church in attempting to mould sexual mores, business practices, and in the world of the theatre. In the next two Sections, the role of religious issues in political affairs is detailed. An overview of the Jansenist quarrel and of the activities of the Jesuits brings in the story of the struggle between Crown and Parlement, while an extended portrayal of the life of the Protestant and Jewishcommunities leads to the history of the debate on toleration, involving the Gallican Church in political interventions and controversy. Throughout the two volumes the rising forces of anticlericalism and the tensions within the ecclesiastical establishment have been recorded, and these themes come to their climax in a final section on the role played by churchmen in the coming of the Revolution.

This volume explores all aspects of the relations of Church and State including the wealth of the clergy, their role in official life, in the Court at Versailles and on the scaffold.

Relations between theatre and state were seldom more fraught in France than in this period. F. W. J. Hemmings traces the vicissitudes of this perennial conflict.